| Issue | Title | |
| No 6 (2016) | ‘MUSCULAR BINDING’ IN THE HISTORY OF THE CONTEMPORARY DANCE: FROM THE MASS MODE TO THE COLLECTIVE MODE | Abstract PDF (Rus) |
| Tatyana V. Gordeeva | ||
| No 1 (2018) | ‘NESTOR’ OF RUSSIAN BALLET: NIKOLAI OSIPOVICH GOLTS. 1800–1880 | Abstract PDF (Rus) |
| O. A. Fedorchenko | ||
| No 5 (2017) | ‘Revolution on pointes’ according to I. I. Sollertinsky: ‘vulgar’ sociology of the classical ballet | Abstract PDF (Rus) |
| Tatyana V. Bukina | ||
| No 1 (2019) | ‘SIGNS OF REqUIEM’: INTERPRETATION OF ICONOGRAPHIC FORMULAE IN PAINTINGS BY SOLOMON GERSHOV (1906–1989) | Abstract PDF (Rus) |
| Irina G. Mamonova | ||
| No 2 (2018) | ‘THE CUBAN MIRACLE’: TO THE 70TH ANNIVERSARY OF THE CREATION OF ‘BALLET ALICIA ALONSO’ | Abstract PDF (Rus) |
| F. M. T. Sakamoto de Miasnikov | ||
| No 3 (2019) | “ADA OR ARDOUR, A FAMILY CHRONICLE” BY VLADIMIR NABOKOV: PSYCHOLOGICAL, HISTORICAL, CULTURAL CONTEXT | Abstract PDF (Rus) |
| N. F. Scherbak | ||
| No 2 (2021) | “Altenberg Lieder” by A. Berg as a reflection of the Malherian tradition of orchestra song | Abstract PDF (Rus) |
| A. V. Skosyreva | ||
| No 5 (2016) | “BAKST IS PAINTING ME AGAIN.” HISTORY AND INTERPRETATIONS OF ANDREI BELY’S PORTRAITS | Abstract PDF (Rus) |
| Elena V. Nasedkina | ||
| No 5 (2016) | “BE LIKE GOD AND CREATE SOMETHING GOD DIDN’T WANT TO OR DIDN’T HAVE TIME TO DO.” LETTERS FROM KASYAN GOLEYZOVSKY TO BORIS ZAGURSKY | Abstract PDF (Rus) |
| Natalia D. Serdyuk | ||
| No 3 (2020) | “Confined” art: artistic strategies in the time of quarantine | Abstract PDF (Rus) |
| E. E. Drobysheva, Y. A. Smekalov | ||
| No 5 (2021) | “Demon” and demonic: The opera by Anton Rubinstein and its interpreters | Abstract PDF (Rus) |
| S. A. Petukhova | ||
| No 3 (2021) | “Dramatic ballet” performances of the 1920s | Abstract PDF (Rus) |
| E. P. Belova | ||
| No 1 (2022) | “Expressive dance” on the stage: The rite of spring by I. Stravinsky – M. Wigman | Abstract PDF (Rus) |
| O. V. Gryzunova | ||
| No 3 (2019) | “FOR DANCING THE SPIRIT IS NECESSARY!” — SOLO TRADITIONAL MEN’S DANCING OF GENNADY NIKOLAEVICH KOPYLTSOV FROM VILLAGE SHABANOVA GORA OF THE CHEREPOVETS DISTRICTS OF THE VOLOGDA REGIO | Abstract PDF (Rus) |
| E. S. Redkova, E. K. Filatenkova | ||
| No 1 (2021) | “Hamlet” by P. I. Tchaikovsky: Symphonic and Stage Implementation of the W. Shakespeare’s tragedy | Abstract PDF (Rus) |
| Z. M. Guseinova | ||
| No 3 (2021) | “Ideal Petipa” and “Imperfect Fokine” in Volynsky’s ballet criticism of the 1913s | Abstract PDF (Rus) |
| E. A. Shchepeleva | ||
| No 3 (2020) | “Iolanta” by P. I. Tchaikovsky in the director’s interpretation by A. Zholdak | Abstract PDF (Rus) |
| V. Yu. Panasiuk | ||
| No 1 (2021) | “It’s impossible not to love her...”: Ulanova in my life | Abstract PDF (Rus) |
| G. T. Komleva | ||
| No 3 (2021) | “Jewel book of the duchess Anna of Bavaria” and jewelry in the European noble’s costume of the middle 16th century | Abstract PDF (Rus) |
| A. E. Zhabreva | ||
| No 5 (2016) | “Leon Bakst and Belle Époque”. International scientific conference in honor of the 150th anniversary of the Léon Bakst’s birth | Details PDF (Rus) |
| Elena N. Baiguzina | ||
| No 1 (2017) | “Live-electronic” - extension of the opportunities of musical instrumentation | Abstract PDF (Rus) |
| Daniil V. Shutko | ||
| No 2 (2021) | “Nixon in China” by John Adams as an example of post-modern opera | Abstract PDF (Rus) |
| Dunpin Van | ||
| No 4 (2016) | “Politics of dance” as a concept | Abstract PDF (Rus) |
| L. V. Nikiforova | ||
| No 3 (2020) | “Quintet for five soloists” by Nebojsa Zivkovic: tradition and experiment | Abstract PDF (Rus) |
| I. A. Melikhov | ||
| No 1 (2017) | “Romeo and Juliet’ rendition by Sergey Prokofiev and Vernon Duke: transatlantic dialogue | Abstract PDF (Rus) |
| Antonina S. Maksimova | ||
| No 4 (2018) | “THAN PEOPLE ARE ALIVE”?: DOMESTIC ARTISTIC CULTURE (1917- 2017) IN THE NATIONAL RESEARCH PARADIGM | Abstract PDF (Rus) |
| G. V. Skotnikova | ||
| No 4 (2024) | “The complete singing school” by Alexander Varlamov: French archetype and Italian influence | Abstract PDF (Rus) |
| D. A. Astashev | ||
| No 1 (2017) | “The red poppy” ballet in the space of everyday Soviet culture | Abstract PDF (Rus) |
| Olga S. Sapanzha, Natalia A. Balandina | ||
| No 5 (2016) | “THERE ARE NO PLANETS SIMILAR TO HER...” TO THE JUBILEE OF ZHANNA AYUPOVA | Abstract PDF (Rus) |
| Larisa I. Abyzova | ||
| No 5 (2022) | “Traditions and testaments of Petipa are not forgotten”: Oeuvre of the great choreographer in the reception of Igor Stravinsky | Abstract PDF (Rus) |
| N. A. Braginskaya | ||
| No 6 (2021) | “What we need and should learn”: soviet musicologists at the mid-1920th on jazz | Abstract PDF (Rus) |
| T. V. Bukina | ||
| No 5 (2024) | “Without setting boundaries between melody of verse and the one of music”: the concept of “sounding substance’ by Boris Asafiev and research of the “living word" | Abstract PDF (Eng) |
| T. V. Bukina | ||
| No 6 (2023) | «“Mozart-Tango” by M. Bejart: a dialogue of “two musics” in the artistic world of ballet» | Abstract PDF (Rus) |
| A. V. Horn | ||
| No 2 (2015) | «After graduation was a war..» | Details PDF (Rus) |
| N. B. Yastrebova | ||
| No 5 (2015) | «Air yoga» as a way to recovery ballet dancers | Abstract PDF (Rus) |
| Marina A. Barinova | ||
| No 6 (2015) | «An Elusive Aesthetic» in the Anti-art community | Abstract PDF (Rus) |
| L. A. Menshikov | ||
| No 1 (2016) | «Ariadne’s thread» (P. Chevalier de Brissol’s ballet to the music of B. Martin-y-Soler) | Abstract PDF (Rus) |
| Alexandra E. Maximova | ||
| No 2 (2016) | «Baltaragis’ Windmill»: book - musical - movie - ballet | Abstract PDF (Rus) |
| Sergey V. Fisher | ||
| No 2 (2016) | «Bolero»: Rubinstein-Ravel-Nijinska (to the final performance of the Vaganova Ballet Academy) | Abstract PDF (Rus) |
| Marina P. Radina | ||
| No 1 (2021) | «Canto rinascimentale e barocco»: The assessment informative aspect of vocalist’s master’s degree programs in Italy | Abstract PDF (Rus) |
| D. A. Astashev | ||
| No 3 (2015) | «Children’s Album» by Tchaikovsky on the lessons of rhythmicity | Abstract PDF (Rus) |
| Ksenia A. Ivanova | ||
| No 1 (2016) | «Dialogue of Cultures» in the musical-choreographic folklore: history and modernity, socio-cultural and educational aspects | Abstract PDF (Rus) |
| Alla B. Afanasyeva | ||
| No 1 (2016) | «Drambalet» - a view from the XXI century | Abstract PDF (Rus) |
| Olga I. Rozanova | ||
| No 6 (2020) | «Fine arts magazine». From the history of Russian art periodicals | Abstract PDF (Rus) |
| V. V. Vasilenko | ||
| No 2 (2024) | «Five boxes of rusks for pupils». Life of students of the Petrograd theatre school during the period of «War communism» | Abstract PDF (Rus) |
| E. A. Sakardina | ||
| No 2 (2015) | «I - from the second set of Blockade...» | Details PDF (Rus) |
| L. L. Melnikovo | ||
| No 2 (2015) | «I really wanted to dance...» | Details PDF (Rus) |
| E. V. Kokorina | ||
| No 2 (2015) | «I remember that terrible time, like a dream.» | Details PDF (Rus) |
| N. I. Poltavchenko | ||
| No 2 (2015) | «I was easy a boy.» | Details PDF (Rus) |
| S. . Khamzin | ||
| No 2 (2015) | «I was very little...» | Details PDF (Rus) |
| N. S. Yananis | ||
| 1 - 50 of 1162 Items | 1 2 3 4 5 6 7 8 9 10 > >> | |
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Russia, 191023, St.-Petersburg, Zodchego Rossi st., 2
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Tel.: +7 812 456 0765;
e-mail: science@vaganovaacademy.ru Processing of personal data
