THEORY AND PRACTICE OF MODERN ART
| Issue | Title | |
| No 5 (2015) | Scores and instructions in the genre system of the contemporary art | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 6 (2016) | ‘MUSCULAR BINDING’ IN THE HISTORY OF THE CONTEMPORARY DANCE: FROM THE MASS MODE TO THE COLLECTIVE MODE | Abstract PDF (Rus) |
| Tatyana V. Gordeeva | ||
| No 2 (2016) | The Authorship in New Music of «age of mechanical reproduction» | Abstract PDF (Rus) |
| Svetlana V. Lavrova | ||
| No 6 (2016) | DADA THEATRE AND BALLET (TO THE CENTURY SINCE THE BIRTH) | Abstract PDF (Rus) |
| Vadim I. Maksimov | ||
| No 2 (2016) | The anti-art architectonics | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 6 (2016) | G. GRISEY’S VORTEX TEMPORUM IN THE CHOREOGRAPHIC INTERPRETATION OF A.T. DE KEERSMAEKER | Abstract PDF (Rus) |
| Svetlana V Lavrova | ||
| No 3 (2016) | Acoustic photography and «Loop»-estetika. The legacy of the principles ofexperimental films in New Music | Abstract PDF (Rus) |
| Svetlana V. Lavrova | ||
| No 6 (2016) | MR. FLUXUS AND THE PERIPETIAS OF HIS BIOGRAPHY IN THE HISTORY OF AVANT-GARDE OF THE SECOND HALF OF THE 20TH CENTURY: THE AMERICAN PERIOD AFTER 1963 | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 5 (2016) | TRANSMEDIA PHENOMENON IN FAUSTO ROMITELLI’S MUSICAL WRITING | Abstract PDF (Rus) |
| Svetlana V. Lavrova | ||
| No 6 (2016) | AUTHOR’S SIMULATION IN THE GENRE OF INSTRUMENTAL THEATRE: GAME STAGE SITUATIONS | Abstract PDF (Rus) |
| Vladislav O. Petrov | ||
| No 5 (2016) | MR. FLUXUS AND THE PERIPETIAS OF HIS BIOGRAPHY IN THE HISTORY OF AVANT-GARDE OF THE SECOND HALF OF THE 20th CENTURY: THE FIRST AMERICAN AND GERMAN PERIODS | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 4 (2015) | The Music of Finnish summer (about Festivals in Savonlinna and Kuhmo) | Abstract PDF (Rus) |
| Larisa I. Abyzova | ||
| No 1 (2015) | The British Fluxus Art | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 1 (2017) | The stage fate of the personage - Pierrot’ mask | Abstract PDF (Rus) |
| Dzhamilya D. Kumukova | ||
| No 4 (2015) | Basil Sigarev: the playwriting through camera | Abstract PDF (Rus) |
| Irina M. Gerasimova | ||
| No 1 (2015) | Space of sound versus madness of the world polyphony | Abstract PDF (Rus) |
| Elena A. Ostrovskaja, Svetlana V. Lavrova | ||
| No 1 (2017) | Sonata for solo guitar 1 by Nikita Koshkin | Abstract PDF (Rus) |
| Yulia A. Finkelshtein, Denis A. Vikhrov | ||
| No 6 (2015) | «An Elusive Aesthetic» in the Anti-art community | Abstract PDF (Rus) |
| L. A. Menshikov | ||
| No 1 (2015) | Style features Preludes and Fugues in d minor S. Slonimsky | Abstract PDF (Rus) |
| Raisa N. Slonimskaya, Tzu-Yin Lin | ||
| No 1 (2017) | Dance-plastic movement in “The yellow sound,” scenic composition by Wassily Kandinsky | Abstract PDF (Rus) |
| Ilona I. Krymskaya | ||
| No 4 (2016) | Zen and Anti-art | Abstract PDF (Rus) |
| L. A. Menshikov | ||
| No 1 (2015) | The specific of the interpretation of the timbre of the classical guitar in the works of S. Gubaidulina «Toccata» and «Serenade» | Abstract PDF (Rus) |
| Yulia A. Finkelshtein, Nataliya V. Makovskaja | ||
| No 1 (2017) | The concept of heterotopy of M. Foucault or “Another space” in music of the last third of the 20th - the beginning of the 21st century | Abstract PDF (Rus) |
| Oleg M. Gudachev | ||
| No 2 (2015) | The Fluxus self-determination | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 1 (2017) | “Live-electronic” - extension of the opportunities of musical instrumentation | Abstract PDF (Rus) |
| Daniil V. Shutko | ||
| No 2 (2015) | About terminological problems of mass music | Abstract PDF (Rus) |
| Fedor M. Shak | ||
| No 2 (2017) | Fausto Romitelli’s Professor Bad Trip trilogy in choreographic incarnation of Maud le Pladec | Abstract PDF (Rus) |
| Svetlana V. Lavrova | ||
| No 3 (2015) | «The Wedding» by Stravinsky-Nijinska - the iconic ballet and its modern interpretations | Abstract PDF (Rus) |
| Olga V. Kirpichenkova | ||
| No 2 (2017) | Evolution of the American Arena Stage Theatre | Abstract PDF (Rus) |
| Dmitry G. Samitov | ||
| No 3 (2015) | New Music in the context of the terminology of Contemporary Art | Abstract PDF (Rus) |
| Svetlana V. Lavrova | ||
| No 1 (2016) | The art which is forming the reality | Abstract PDF (Rus) |
| L. A. Menshikov | ||
| No 3 (2015) | The Art network Technologies of the second half of the XX century: the network promotion of Fluxus Art | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 1 (2016) | Aesthetic position Dada | Abstract PDF (Rus) |
| Vladislav O. Petrov | ||
| No 3 (2015) | «Swan Lake» - «in cine» (A. Akhmetov’s ballet at the State of the Primorsky Theatre of Opera and Ballet) | Abstract PDF (Rus) |
| Olga I. Rozanova | ||
| No 6 (2016) | PASSACAGLIA AND CHACONNE IN MODERN MUSIC SPACE | Abstract PDF (Rus) |
| Galina V. Abdullia | ||
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