THEORY AND HISTORY OF CHOREOGRAPHIC ART
| Issue | Title | |
| No 2 (2025) | The Almehs of Russian Ballet and the Real Almehs of the East: Points of Contact and Mutual Influence | Abstract PDF (Rus) |
| A. L. Vasilyeva, N. S. Barsova | ||
| No 2 (2025) | Classical Dance: “Apollonian” vs “Dionysian” Art | Abstract PDF (Rus) |
| A. Е. Galichanin, I. I. Irkhen | ||
| No 2 (2025) | Ballet in Search of Relevancy: Experience of 1920s | Abstract PDF (Rus) |
| O. N. Makarova | ||
| No 2 (2025) | Semantics and Symbolism of the Cypriot Dance with a Sickle (Drepani) | Abstract PDF (Rus) |
| E. S. Ursolenko | ||
| No 1 (2025) | Duets in classical ballet – the way to perfection | Abstract PDF (Rus) |
| A. P. Bossov | ||
| No 1 (2025) | Gestures in the librettos of Marius Petipa’s ballets of the 1860s | Abstract PDF (Rus) |
| A. P. Grutsynova | ||
| No 1 (2025) | The history of the creation of the ballet Solveig in letters of L.V. Yakobson to B.I. Zagursky | Abstract PDF (Rus) |
| K. A. Kozlova | ||
| No 1 (2025) | Liminal space of postmodern dance | Abstract PDF (Rus) |
| E. V. Levina | ||
| No 1 (2025) | Faces of character dance and flamenco dance in the theater performances The Three-Cornered Hat and The Madman | Abstract PDF (Rus) |
| O. N. Ryzhik | ||
| No 1 (2025) | Agrippina Vaganova: The dawn of a great teacher | Abstract PDF (Rus) |
| E. A. Sakardina | ||
| No 1 (2025) | Calligraphy of dance | Abstract PDF (Rus) |
| O. I. Tarasova | ||
| No 6 (2024) | The Theme of Gender Conflicts in the Ballet Versions of The Taming of the Shrew by Jh. Cranco and J.-C. Maillot | Abstract PDF (Rus) |
| N. L. Kabachek | ||
| No 6 (2024) | The ballet Swan lake in the optics of the composer and choreographer’s dialogue | Abstract PDF (Rus) |
| S. V. Lavrova, I. I. Irkhen | ||
| No 6 (2024) | Libretto of the Ballet Performance Dunhuang / The Light of Heart in its Online Programs and Internet Video Recordings | Abstract PDF (Rus) |
| Yu. O. Novik, Simin Zhang | ||
| No 5 (2024) | Sea of troubles (1988): Kenneth Macmillan in search of Shakespearean meanings | Abstract PDF (Rus) |
| N. S. Shabalina | ||
| No 5 (2024) | Galina Ulanova’s work in Chinese culture and ballet | Abstract PDF (Rus) |
| Mingman Sun, V. A. Shekalov | ||
| No 5 (2024) | The historical dance in M. Petipa’s ballets | Abstract PDF (Rus) |
| M. A. Isplatovskaya | ||
| No 5 (2024) | Dolgushin’s method of working with the classical heritage (based on the example of the restoration of the great classical path from the ballet Paquita 1975) | Abstract PDF (Rus) |
| V. V. Omelnitskaya | ||
| No 4 (2024) | Ekaterina Vazem at the Imperial Theater school in St. Petersburg (Part ii) | Abstract PDF (Rus) |
| O. A. Fedorchenko | ||
| No 4 (2024) | Non-dance and conceptual choreography | Abstract PDF (Rus) |
| Yu. Yu. Padyan | ||
| No 4 (2024) | A book about ballet as a document of a bygone era | Abstract PDF (Rus) |
| No 4 (2024) | «To create a drama of great passions and romantically strong characters»: restoration of the corsair ballet in leningrad theaters | Abstract PDF (Rus) |
| No 4 (2024) | The role of the first Chuvash graduates of the Leningrad academic choreographic school in the development of the National ballet theater | Abstract PDF (Rus) |
| No 3 (2024) | The development of choreographic forms from J.-G. Noverre to M. Petipa | Abstract PDF (Rus) |
| E. A. Andrienko | ||
| No 3 (2024) | Senses of the libretto of I. I. Valberkh's ballets | Abstract PDF (Rus) |
| A. P. Grutsynova | ||
| No 3 (2024) | Traditions and innovations in the work of William Forsythe | Abstract PDF (Rus) |
| P. A. Kondratova | ||
| No 3 (2024) | Marius Petipa’s choreography in opera performances | Abstract PDF (Rus) |
| I. A. Pushkina | ||
| No 3 (2024) | Ekaterina Vazem at the Imperial Theater School in St. Petersburg (Part I) | Abstract PDF (Rus) |
| O. A. Fedorchenko | ||
| No 2 (2024) | The contribution of representatives of the Russian ballet school to the formation of professional choreographic art in Uzbekistan | Abstract PDF (Rus) |
| O. V. Gapienko | ||
| No 2 (2024) | At the dawn of the Soviet ballet: The Mariinsky ballet company in the first half of 1918 | Abstract PDF (Rus) |
| P. N. Gordeev | ||
| No 2 (2024) | Transformations of the libretto of the ballet The legend of the lake in Bulgarian criticism | Abstract PDF (Rus) |
| G. Stoyanov | ||
| No 1 (2024) | The Red Poppy — The Red East (to the 95th anniversary of the production of The Red Poppy ballet) | Abstract PDF (Rus) |
| O. A. Tuminskaya | ||
| No 1 (2024) | Vainonen’s The Nutcracker: a continuation of Petipa’s traditions cross-disciplinary research in choreography | Abstract PDF (Rus) |
| L. I. Abyzova | ||
| No 6 (2023) | Christian Johansson — dancer-phenomenon (Part II) | Abstract PDF (Rus) |
| O. A. Fedorchenko | ||
| No 6 (2023) | Mazurkas of Russian balls of the 19th century: An example of the author’s production of the Aerial mazurka | Abstract PDF (Rus) |
| Yu. N. Slonchenko | ||
| No 6 (2023) | Ballet Rhapsody staged by Frederick Ashton and his predecessors | Abstract PDF (Rus) |
| M. K. Dudina | ||
| No 5 (2023) | Premiere of The sleeping beauty in 1890 as it was reflected in the Russian press | Abstract PDF (Rus) |
| N. N. Zozulina | ||
| No 5 (2023) | Western European vector of formation and development of Bulgarian ballet | Abstract PDF (Rus) |
| I. I. Irkhen, G. T. Stoyanov | ||
| No 5 (2023) | From the history of the birth of the Vietnamese national ballet | Abstract PDF (Rus) |
| Thi Van Diem Cao | ||
| No 5 (2023) | Christian Johansson — dancer-phenomenon (Part I) | Abstract PDF (Rus) |
| O. A. Fedorchenko O. A. | ||
| No 4 (2023) | Stanislav Gillert — a stranger among his own | Abstract PDF (Rus) |
| O. N. Makarova | ||
| No 4 (2023) | Ballet: To the problem of classical heritage | Abstract PDF (Rus) |
| A. A. Sokolov-Kaminsky | ||
| No 3 (2023) | Gabriela Komleva: “Ballerina Petipa” | Abstract PDF (Rus) |
| K. S. Kopunova | ||
| No 3 (2023) | Passion for dance symphony: periodicals of the 1920s about The Greatness of the Universe by F. V. Lopukhov | Abstract PDF (Rus) |
| P. A. Kondratova | ||
| No 3 (2023) | Dance symphony as a creative credo of F. V. Lopukhov | Abstract PDF (Rus) |
| F. V. Lopukhov-Junior | ||
| No 3 (2023) | Swan Lake: To the question of the plot origin | Abstract PDF (Rus) |
| S. A. Petukhova | ||
| No 2 (2023) | Analysis of strategies for the use of media technologies in choreography by a systematic literature review | Abstract PDF (Rus) |
| O. V. Gryzunova | ||
| No 2 (2023) | Philosophical concept of modern choreography (on the Example of the Performance Four Characters Searching for a Plot of the Bolshoi Theatre of Russia in 2020/2021) | Abstract PDF (Rus) |
| E. G. Kovel | ||
| No 2 (2023) | Russian trace in Angelin Preljocaj creative work | Abstract PDF (Rus) |
| L. I. Abyzova | ||
| No 1 (2023) | N. N. Sidelnikov’s ballet Stepan Razin: Features of the stage embodiment | Abstract PDF (Rus) |
| A. B. Kovalev | ||
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