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| Issue |
Title |
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| No 3 (2025) |
Background, style, choreography, modern interpretations of the Dunhuang dance |
Abstract
PDF (Rus)
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Xue Liu |
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| No 3 (2025) |
The ballet La Sylphide. Premieres in Paris (1832) and St. Petersburg (1835): peculiarities of artistic reception |
Abstract
PDF (Rus)
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O. А. Fedorchenko |
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| No 3 (2025) |
The audible word in the ballets of Angelin Preljocaj |
Abstract
PDF (Rus)
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L. I. Abyzova |
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| No 3 (2025) |
A gold rush on the ballet stage, or a performance, Maria Petipa’s benefit that did not take place |
Abstract
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E. N. Baiguzina |
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| No 3 (2025) |
Conceptual prerequisites for the application of artificial intelligence as a choreographic tool in contemporary dance |
Abstract
PDF (Rus)
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O. V. Gryzunova |
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| No 2 (2025) |
The Almehs of Russian Ballet and the Real Almehs of the East: Points of Contact and Mutual Influence |
Abstract
PDF (Rus)
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A. L. Vasilyeva, N. S. Barsova |
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| No 2 (2025) |
Classical Dance: “Apollonian” vs “Dionysian” Art |
Abstract
PDF (Rus)
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A. Е. Galichanin, I. I. Irkhen |
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| No 2 (2025) |
Ballet in Search of Relevancy: Experience of 1920s |
Abstract
PDF (Rus)
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O. N. Makarova |
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| No 2 (2025) |
Semantics and Symbolism of the Cypriot Dance with a Sickle (Drepani) |
Abstract
PDF (Rus)
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E. S. Ursolenko |
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| No 1 (2025) |
Duets in classical ballet – the way to perfection |
Abstract
PDF (Rus)
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A. P. Bossov |
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| No 1 (2025) |
Gestures in the librettos of Marius Petipa’s ballets of the 1860s |
Abstract
PDF (Rus)
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A. P. Grutsynova |
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| No 1 (2025) |
The history of the creation of the ballet Solveig in letters of L.V. Yakobson to B.I. Zagursky |
Abstract
PDF (Rus)
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K. A. Kozlova |
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| No 1 (2025) |
Liminal space of postmodern dance |
Abstract
PDF (Rus)
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E. V. Levina |
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| No 1 (2025) |
Faces of character dance and flamenco dance in the theater performances The Three-Cornered Hat and The Madman |
Abstract
PDF (Rus)
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O. N. Ryzhik |
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| No 1 (2025) |
Agrippina Vaganova: The dawn of a great teacher |
Abstract
PDF (Rus)
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E. A. Sakardina |
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| No 1 (2025) |
Calligraphy of dance |
Abstract
PDF (Rus)
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O. I. Tarasova |
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| No 6 (2024) |
The Theme of Gender Conflicts in the Ballet Versions of The Taming of the Shrew by Jh. Cranco and J.-C. Maillot |
Abstract
PDF (Rus)
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N. L. Kabachek |
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| No 6 (2024) |
The ballet Swan lake in the optics of the composer and choreographer’s dialogue |
Abstract
PDF (Rus)
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S. V. Lavrova, I. I. Irkhen |
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| No 6 (2024) |
Libretto of the Ballet Performance Dunhuang / The Light of Heart in its Online Programs and Internet Video Recordings |
Abstract
PDF (Rus)
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Yu. O. Novik, Simin Zhang |
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| No 5 (2024) |
Sea of troubles (1988): Kenneth Macmillan in search of Shakespearean meanings |
Abstract
PDF (Rus)
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N. S. Shabalina |
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| No 5 (2024) |
Galina Ulanova’s work in Chinese culture and ballet |
Abstract
PDF (Rus)
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Mingman Sun, V. A. Shekalov |
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| No 5 (2024) |
The historical dance in M. Petipa’s ballets |
Abstract
PDF (Rus)
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M. A. Isplatovskaya |
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| No 5 (2024) |
Dolgushin’s method of working with the classical heritage (based on the example of the restoration of the great classical path from the ballet Paquita 1975) |
Abstract
PDF (Rus)
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V. V. Omelnitskaya |
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| No 4 (2024) |
Ekaterina Vazem at the Imperial Theater school in St. Petersburg (Part ii) |
Abstract
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O. A. Fedorchenko |
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| No 4 (2024) |
Non-dance and conceptual choreography |
Abstract
PDF (Rus)
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Yu. Yu. Padyan |
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| No 4 (2024) |
A book about ballet as a document of a bygone era |
Abstract
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| No 4 (2024) |
«To create a drama of great passions and romantically strong characters»: restoration of the corsair ballet in leningrad theaters |
Abstract
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| No 4 (2024) |
The role of the first Chuvash graduates of the Leningrad academic choreographic school in the development of the National ballet theater |
Abstract
PDF (Rus)
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| No 3 (2024) |
The development of choreographic forms from J.-G. Noverre to M. Petipa |
Abstract
PDF (Rus)
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E. A. Andrienko |
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| No 3 (2024) |
Senses of the libretto of I. I. Valberkh's ballets |
Abstract
PDF (Rus)
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A. P. Grutsynova |
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| No 3 (2024) |
Traditions and innovations in the work of William Forsythe |
Abstract
PDF (Rus)
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P. A. Kondratova |
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| No 3 (2024) |
Marius Petipa’s choreography in opera performances |
Abstract
PDF (Rus)
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I. A. Pushkina |
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| No 3 (2024) |
Ekaterina Vazem at the Imperial Theater School in St. Petersburg (Part I) |
Abstract
PDF (Rus)
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O. A. Fedorchenko |
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| No 2 (2024) |
The contribution of representatives of the Russian ballet school to the formation of professional choreographic art in Uzbekistan |
Abstract
PDF (Rus)
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O. V. Gapienko |
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| No 2 (2024) |
At the dawn of the Soviet ballet: The Mariinsky ballet company in the first half of 1918 |
Abstract
PDF (Rus)
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P. N. Gordeev |
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| No 2 (2024) |
Transformations of the libretto of the ballet The legend of the lake in Bulgarian criticism |
Abstract
PDF (Rus)
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G. Stoyanov |
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| No 1 (2024) |
The Red Poppy — The Red East (to the 95th anniversary of the production of The Red Poppy ballet) |
Abstract
PDF (Rus)
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O. A. Tuminskaya |
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| No 1 (2024) |
Vainonen’s The Nutcracker: a continuation of Petipa’s traditions cross-disciplinary research in choreography |
Abstract
PDF (Rus)
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L. I. Abyzova |
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| No 6 (2023) |
Christian Johansson — dancer-phenomenon (Part II) |
Abstract
PDF (Rus)
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O. A. Fedorchenko |
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| No 6 (2023) |
Mazurkas of Russian balls of the 19th century: An example of the author’s production of the Aerial mazurka |
Abstract
PDF (Rus)
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Yu. N. Slonchenko |
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| No 6 (2023) |
Ballet Rhapsody staged by Frederick Ashton and his predecessors |
Abstract
PDF (Rus)
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M. K. Dudina |
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| No 5 (2023) |
Premiere of The sleeping beauty in 1890 as it was reflected in the Russian press |
Abstract
PDF (Rus)
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N. N. Zozulina |
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| No 5 (2023) |
Western European vector of formation and development of Bulgarian ballet |
Abstract
PDF (Rus)
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I. I. Irkhen, G. T. Stoyanov |
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| No 5 (2023) |
From the history of the birth of the Vietnamese national ballet |
Abstract
PDF (Rus)
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Thi Van Diem Cao |
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| No 5 (2023) |
Christian Johansson — dancer-phenomenon (Part I) |
Abstract
PDF (Rus)
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O. A. Fedorchenko O. A. |
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| No 4 (2023) |
Stanislav Gillert — a stranger among his own |
Abstract
PDF (Rus)
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O. N. Makarova |
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| No 4 (2023) |
Ballet: To the problem of classical heritage |
Abstract
PDF (Rus)
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A. A. Sokolov-Kaminsky |
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| No 3 (2023) |
Gabriela Komleva: “Ballerina Petipa” |
Abstract
PDF (Rus)
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K. S. Kopunova |
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| No 3 (2023) |
Passion for dance symphony: periodicals of the 1920s about The Greatness of the Universe by F. V. Lopukhov |
Abstract
PDF (Rus)
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P. A. Kondratova |
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| No 3 (2023) |
Dance symphony as a creative credo of F. V. Lopukhov |
Abstract
PDF (Rus)
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F. V. Lopukhov-Junior |
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