CROSS-DISCIPLINARY RESEARCH IN CHOREOGRAPHY
| Issue | Title | |
| No 2 (2025) | A. French Quadrille as Phenomenon of Musical Life in Paris, 2nd-3rd Quarter of the 19th Century | Abstract PDF (Rus) |
| G. A. Bezuglaya | ||
| No 2 (2025) | Experience Working on the Renewal of Costumes for the Ballet Sleeping Beauty in Choreographic Version by Yuri Grigorovich in the Bolshoy Theater of Russia (2024) | Abstract PDF (Rus) |
| T. K. Noginova | ||
| No 1 (2025) | Experience working on the renewal of costumes for the ballet Romeo and Juliet staged by L. Lavrovsky in the Bolshoi Theater of Russia (2023/24) | Abstract PDF (Rus) |
| T. K. Noginova | ||
| No 6 (2024) | Dance Art of the Tatars of the Volga-Ural Region and Instrumental Creativity | Abstract PDF (Rus) |
| D. A. Bulatova | ||
| No 5 (2024) | The world of the artist in ballet: Musical variations on a theme by A. Toulouse-Lautrec (Part I) | Abstract PDF (Rus) |
| A. V. Horn | ||
| No 5 (2024) | Oriental subject-matters and ballet scenes as phenomena of the Golden Age of Russian opera | Abstract PDF (Rus) |
| V. P. Konnov | ||
| No 5 (2024) | Riccardo Drigo as the editor of the score of Tchaikovsky’s Swan Lake | Abstract PDF (Rus) |
| A. S. Oskolkov | ||
| No 4 (2024) | Artificial intelligence as a tool for preserving and studying choreographic heritage (based on materials from the round table “Artificial intelligence on ballet: a conversation with Agrippina Vaganova”) | Abstract PDF (Rus) |
| O. V. Gryzunova | ||
| No 3 (2024) | From the choreographer’s combined score to the author’s musical work: Dancemania by Pierre Gardel and Étienne Méhul | Abstract PDF (Rus) |
| G. A. Bezuglaia | ||
| No 2 (2024) | Features of the realization of the sea maiden’s myth in the ballet The Mermaid by Wu Zujiang and Du Mingxin | Abstract PDF (Rus) |
| N. I. Verba | ||
| No 2 (2024) | Symbolic and allegorical images of the Tsam dance language | Abstract PDF (Rus) |
| Wang Li | ||
| No 2 (2024) | Discipline of authentic movement by Janet Adler: from inner witness to direct experience | Abstract PDF (Rus) |
| M. D. Sedova | ||
| No 2 (2022) | Main characters in F. Yarullin’s ballet Shurale: The history of renaming | Abstract PDF (Rus) |
| O. S. Sapanzha | ||
| No 2 (2022) | Problem of training for ballet pianists: The chair of music at Vaganova Ballet Academy in St. Petersburg as an international referent | Abstract PDF (Eng) |
| P. Sabater | ||
| No 2 (2022) | The activities of F. Hilferding and J. Starzer in Vienna in the middle of the 18th century | Abstract PDF (Rus) |
| D. Z. Khazieva | ||
| No 1 (2022) | The use of foundations of classic dance in the process of training of young girls practicing artistic gymnastics at the stage of in-depth sports specialization | Abstract PDF (Rus) |
| V. A. Parakhin, M. O. Gladysheva | ||
| No 6 (2018) | THE ROLE OF NEW YORK’S SCHOOL COMPOSERS IN THE FORMATION AND DEVELOPMENT OF CHOREOGRAPHIC PERFORMANCE | Abstract PDF (Rus) |
| E. V. Kiseyeva | ||
| No 6 (2018) | CHOREOGRAPH AND COMPOSER: PROBLEMS OF CREATIVE INTERACTION IN POSTMODERN BALLET AND DANCE | Abstract PDF (Rus) |
| S. V. Lavrova | ||
| No 6 (2018) | BALLET THEME IN URBAN ART | Abstract PDF (Rus) |
| М. Е. Vilchinskaya-Butenko | ||
| No 6 (2018) | JOHN TAVENER’S MUSIC IN CHOREOGRAPHIC INTERPRETATIONS | Abstract PDF (Rus) |
| E. О. Miklukho | ||
| No 6 (2018) | E. DEGAS AS A POPULARIZER OF THE PARIS OPERA BALLET | Abstract PDF (Rus) |
| Т. V. Portnova | ||
| No 5 (2018) | ANALYSIS OF THE LYRICAL SCENES IN AKSHIN ALIZADEH’S BALLET BABEK | Abstract PDF (Rus) |
| L. D. Huseynli | ||
| No 5 (2018) | TANGO IN THE WORLD CINEMATOGRAPHY | Abstract PDF (Rus) |
| T. S. Sergeeva | ||
| No 2 (2018) | THE BIRTHDAY OF THE INFANTA: FRANZ SCHREKER’S DANCE SUITE AS JUGENDSTIL PHENOMENA | Abstract PDF (Rus) |
| Yu. I. Agisheva | ||
| No 2 (2018) | ORCHESTRA IN OPERA-BALLET MLADA BY NIKOLAY A. RIMSKY-KORSAKOV | Abstract PDF (Rus) |
| A. S. Oskolkov | ||
| No 1 (2018) | CHOREOGRAPHIC SYMPHONY: TO THE HISTORY OF MUSICAL-THEATRICAL GENRE | Abstract PDF (Rus) |
| G. A. Bezuglaia | ||
| No 1 (2018) | METHODS OF MODELLING ACOUSTIC SPACE FOR OPERA HOUSES | Abstract PDF (Rus) |
| A. I. Kuznetsova | ||
| No 1 (2018) | THE ROLE OF THE 18TH CENTURY FRENCH THEATRE DICTIONARIES IN THE FORMATION OF SCIENTIFIC KNOWLEDGE ABOUT BALLET THEATRE | Abstract PDF (Rus) |
| N. A. Usachenko | ||
| No 1 (2018) | STRAVINSKY’S EARLY BALLETS FIREBIRD AND PETRUSHKA IN THE SOVIET PORCELAIN: TO THE QUESTION OF THE DEVELOPMENT OF IMAGES | Abstract PDF (Rus) |
| O. S. Sapanzha, N. A. Balandina | ||
| No 6 (2017) | THE GOLDEN FISH FROM THE SPRING: ‘MUSICAL PATCHWORK’ BY LUDWIG MINKUS | Abstract PDF (Rus) |
| A. P. Grutsynova | ||
| No 6 (2017) | DIAGHILEV’S IMAGE IN THE RUSSIAN ENCYCLOPEDIC NARRATIVE OF THE20TH AND THE BEGINNING OF THE21ST CENTURIES | Abstract PDF (Rus) |
| L. A. Kupets | ||
| No 5 (2017) | The Dancing ‘aliens’ as an archetype of the Russian opera | Abstract PDF (Rus) |
| Ekaterina V. Lobankova | ||
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