THEORY AND HISTORY OF ARTS
| Issue | Title | |
| No 6 (2023) | Giacomo Galvani’s method of singing created for Moscow conservatory (in the lens of scientific trends of the 19th century) | Abstract PDF (Rus) |
| N. I. Efimova, O. A. Tsybulko | ||
| No 6 (2023) | Helmuth Lachenmann’s “mute eloquence” in Xavier Leroy’s nondance static space | Abstract PDF (Rus) |
| S. V. Lavrova | ||
| No 6 (2023) | Folklorism in the Belarusian musical theater of the 20th century | Abstract PDF (Rus) |
| E. V. Loban | ||
| No 1 (2023) | The Vladivostok branch of the Imperial Russian Musical Society in the mirror of archival materials of Vladivostok and St. Petersburg | Abstract PDF (Rus) |
| A. I. Krapiva | ||
| No 1 (2023) | Sounding bodies: Auditory aspects of contemporary dance | Abstract PDF (Rus) |
| M. Yu. Popova | ||
| No 1 (2023) | The image of a Japanese garden in the art of Toru Takemitsu | Abstract PDF (Rus) |
| M. E. Poriadina | ||
| No 1 (2023) | Emotional and expressive function of cinema music: Communicative aspect | Abstract PDF (Rus) |
| O. B. Elkan, L. V. Makarskaya | ||
| No 5 (2021) | About some creative tandemas of outstanding film composers and film directors of the 20th century | Abstract PDF (Rus) |
| A. O. Kozyrev | ||
| No 5 (2021) | Count Sheremetyev’s theaters in Kuskovo: To the problem of forming a visual and artistic structure | Abstract PDF (Rus) |
| Т. V. Portnova | ||
| No 5 (2021) | Specifics and histiorical ways of folk German song | Abstract PDF (Rus) |
| M. V. Pereverzeva | ||
| No 5 (2021) | “Demon” and demonic: The opera by Anton Rubinstein and its interpreters | Abstract PDF (Rus) |
| S. A. Petukhova | ||
| No 5 (2021) | Features of the ballet work of Alfred Schnittke on the example of the ballet “Peer Gynt” | Abstract PDF (Rus) |
| D. I. Kalashnikova | ||
| No 5 (2021) | Folk song as a system-forming structure of Russian music culture | Abstract PDF (Rus) |
| E. A. Kaminskaya, N. P. Dudkina | ||
| No 1 (2020) | Creative principles of formation of the American Repertory Theater (ART) | Abstract PDF (Rus) |
| D. G. Samitov | ||
| No 1 (2020) | Chromatic harmonic keyboards and evolution of their place in the preservation of academic traditions of education | Abstract PDF (Rus) |
| N. A. Kravtsov | ||
| No 1 (2020) | Blok’s reminiscences in dramaturgy by N. S. Gumilyov | Abstract PDF (Rus) |
| D. D. Kumukova | ||
| No 2 (2018) | NOCTURNES IN THE PIANO HERITAGE OF ANTON RUBINSTEIN | Abstract PDF (Rus) |
| R. V. Glazunova | ||
| No 2 (2018) | CORRESPONDENCE OF JULIA WEISBERG WITH NIKOLAY MYASKOVSKY | Abstract PDF (Rus) |
| M. M. Mazur | ||
| No 2 (2018) | PERFORMANCE AS PARODY | Abstract PDF (Rus) |
| L. A. Menshikov | ||
| No 2 (2018) | SYNTHESIZER — THE INSTRUMENT OF THE NEW ERA? | Abstract PDF (Rus) |
| A. A. Timofeev | ||
| No 2 (2018) | FROM THE MASK OF COMMEDIA DELL’ARTE TO THE SYMBOL OF ACTOR’S PROFESSION | Abstract PDF (Rus) |
| D. D. Kumukova | ||
| No 2 (2018) | CORRELATION OF THE ETHICAL AND THE AESTHETIC IN THE PROCESS OF SCIENTIFIC PARADIGM CHANGE: ART AND TEXT INTERPRETATION | Abstract PDF (Rus) |
| N. F. Scherbak | ||
| No 5 (2017) | Requirements for author’s manuscripts | Details PDF (Rus) |
| Editorial Article | ||
| No 5 (2017) | Editorial policy | Details PDF (Rus) |
| Editorial Article | ||
| No 5 (2017) | Ethics policy | Details PDF (Rus) |
| Editorial Article | ||
| No 5 (2017) | Subscriptions | Details PDF (Rus) |
| Editorial Article | ||
| No 5 (2017) | К сведению подписчиков | Details PDF (Rus) |
| Editorial Article | ||
| No 3 (2017) | Aulos as a musical instrument of Dionysus | Abstract PDF (Rus) |
| Boris B. Borodin | ||
| No 3 (2017) | Stages of legal regulation on producing activity in Russia and European countries | Abstract PDF (Rus) |
| Alexey N. Pukhalev | ||
| No 4 (2017) | Art-strategies as a tool of urban development | Abstract PDF (Rus) |
| Elena E. Drobysheva, Ekanerina V. Lapina | ||
| No 4 (2017) | Synthesis of arts as an aesthetic utopia of the revolution | Abstract PDF (Rus) |
| Elena K. Lugovaya | ||
| No 4 (2017) | Opera music by Yulia L. Weisberg-Rimsky-Korsakov | Abstract PDF (Rus) |
| Marina M. Mazur | ||
| No 4 (2017) | To the definition of the Event as the form of Action Art | Abstract PDF (Rus) |
| Leonid A. Menshikov | ||
| No 4 (2017) | Ein feste Burg ist unser Bach: Kagel’s dialogue with Bach | Abstract PDF (Rus) |
| Alexandr S. Ryzhinskiy | ||
| No 5 (2017) | ‘Revolution on pointes’ according to I. I. Sollertinsky: ‘vulgar’ sociology of the classical ballet | Abstract PDF (Rus) |
| Tatyana V. Bukina | ||
| No 5 (2017) | Character characterization in American fantasy cinema: sound drama | Abstract PDF (Rus) |
| Alejandro K. Contreras | ||
| No 5 (2017) | Philosophical study of music in ancient Greece and early medieval period | Abstract PDF (Rus) |
| Vladimir I. Kurashov | ||
| No 5 (2017) | Creative industries as a variant of the organization of the communicative information space of the sphere of art | Abstract PDF (Rus) |
| Tatyana N. Suminova | ||
| 1 - 38 of 38 Items | ||
