CROSS-DISCIPLINARY RESEARCH IN CHOREOGRAPHY AND THEATRE
| Issue | Title | |
| No 4 (2022) | Dance and plastic images in S. Slonimsky’s opera The Master and Margarita | Abstract PDF (Rus) |
| A. V. Gorn | ||
| No 4 (2022) | Choreographic interpretation of works of Russian classical literature by foreign choreographers in the 21st century | Abstract PDF (Rus) |
| K. V. Popova | ||
| No 2 (2021) | Symphony for a lonely man, The Ninth Symphony ballets by Maurice Béjart: Nietzsche vs Sartre | Abstract PDF (Rus) |
| Z. A. Voynova | ||
| No 2 (2021) | Performances “Nine Evenings” in the History of Contemporary Dance. Object-oriented Choreography “Solo” by Deborah Hay | Abstract PDF (Rus) |
| S. S. Gribov | ||
| No 2 (2021) | Shostakovich and ballet | Abstract PDF (Rus) |
| O. I. Rozanova | ||
| No 1 (2021) | Plastic interpretation of opera in a ballet performance: ballet “The Magic Flute” to the music of V. A. Mozart staged by A. B. Petrov at the Kremlin Ballet Theater | Abstract PDF (Rus) |
| O. V. Gasnikova | ||
| No 1 (2021) | “Hamlet” by P. I. Tchaikovsky: Symphonic and Stage Implementation of the W. Shakespeare’s tragedy | Abstract PDF (Rus) |
| Z. M. Guseinova | ||
| No 1 (2021) | Theater of operetta of the Far East 1900–1905 (On the materials of the periodic) | Abstract PDF (Rus) |
| I. I. Krylovskaya | ||
| No 6 (2020) | Theatrical modern in the first production of Ida Rubinstein’s enterprise. «The martyrdom of Saint Sebastian» | Abstract PDF (Rus) |
| N. N. Tarasova | ||
| No 5 (2020) | Choreographers’ restoration and editing work as a means of preserving and updating the classical ballet heritage | Abstract PDF (Rus) |
| O. V. Gryzunova, V. V. Omelnitskaya | ||
| No 4 (2020) | Methods of musical and editorial work by Salvatore Viganò: The tragedy-ballet «La Vestale | Abstract PDF (Rus) |
| G. A. Bezuglaya | ||
| No 3 (2020) | Strategies of generative art in contemporary dance. Conceptualization experience in artistic practices of postmodernism | Abstract PDF (Rus) |
| S. S. Gribov | ||
| No 3 (2020) | Opera and cinema: a meeting at the beginning of the 20th century (“The Queen of Spades”, 1910) | Abstract PDF (Rus) |
| A. P. Grutsynova | ||
| No 3 (2020) | Electric lighting of the Imperial Mariinsky theatre | Abstract PDF (Rus) |
| V. A. Petrushchenkov | ||
| No 3 (2020) | The ballets of Yuri Falik: the interaction of genre and musical-dramatic ideas | Abstract PDF (Rus) |
| A. V. Gorn | ||
| No 2 (2020) | Dancing Lully | Abstract PDF (Rus) |
| G. A. Bezuglaya | ||
| No 2 (2020) | The art of composing the whole. “Macbeth” by G. Verdi at the Kaunas State Musical Theatre | Abstract PDF (Rus) |
| A. V. Konstantinova | ||
| No 2 (2020) | The creating of electric lighting in the Imperial Theaters of St. Petersburg in the 19th century | Abstract PDF (Rus) |
| V. A. Petrushchenkov | ||
| No 1 (2020) | Field mass by B. Martinu as a continuation of the composer’s ballet series | Abstract PDF (Rus) |
| A. V. Gorn | ||
| No 1 (2020) | Mugham in modern Azerbaijanian culture | Abstract PDF (Rus) |
| M. V. Busygina | ||
| No 1 (2020) | Ballet music of the composers of The Six group (1920s) | Abstract PDF (Rus) |
| N. A. Golovnina | ||
| No 6 (2019) | Variations on the theme of “ballet” by the composers of the Six group (1920s) | Abstract PDF (Rus) |
| N. A. Golovnina | ||
| No 6 (2019) | Choreography and stage movement in the Expressionist theatre | Abstract PDF (Rus) |
| V. I. Maksimov | ||
| No 5 (2019) | Movie view choreography. Jiří kylián | Abstract PDF (Rus) |
| I. M. Konotop | ||
| No 4 (2019) | Scenographic searches by S. M. Yunovich on the ballet scene | Abstract PDF (Rus) |
| E. N. Baiguzina | ||
| No 4 (2019) | Theater in the topography of power: From the history of Russian province of the second half of the 18th century | Abstract PDF (Rus) |
| E. A. Blokhina | ||
| No 4 (2019) | Image of Salome and its realization in the ballet productions of the beginning of the 20th century | Abstract PDF (Rus) |
| D. Z. Khazieva | ||
| No 3 (2019) | PETERSBURG MUSICAL “MASTER AND MARGARITA”: INTONATIONAL INTERPRETATION OF BULGAKOV’S NOVEL | Abstract PDF (Rus) |
| V. V. Leleko, E. V. Machrowa | ||
| No 3 (2019) | RICCARDO DRIGO: PAGES OF BALLET CUPELMASTER’S BIOGRAPHY | Abstract PDF (Rus) |
| E. V. Panova, I. V. Tomashevskii | ||
| No 3 (2019) | ACTUAL PROBLEMS OF THE AMERICAN REPERTOIRE THEATRE. AMERICAN CONSERVATORY THEATRE | Abstract PDF (Rus) |
| D. G. Samitov | ||
| No 3 (2019) | CREATIVE EXPERIENCE OF VLADIMIR SHCHERBACHEV: MUSIC AND DANCE | Abstract PDF (Rus) |
| A. V. Gorn | ||
| No 1 (2019) | THE ADAPTATION EXPERIENCE OF STAGE PEDAGOGICS METHODS IN PROBLEM-SOLVING OF HUMAN ECOLOGY. SOCIAL THEATRE | Abstract PDF (Rus) |
| Larisa V. Gracheva | ||
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