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| Issue |
Title |
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| No 2 (2025) |
On Two Musical Presentations of Dystopian Motifs of the Poem The Grand Inquisitor from F. M. Dostoevsky’s Novel The Brothers Karamazov |
Abstract
PDF (Rus)
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S. G. Voitkevich |
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| No 2 (2025) |
Russian State Institute of Performing Arts |
Abstract
PDF (Rus)
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R. R. Kabirzyanov |
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| No 2 (2025) |
Visualization of the Image of Cherry Orchard in Theatrical Productions of the 20‒21st Centuries |
Abstract
PDF (Rus)
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A. I. Smolenskaya |
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| No 2 (2025) |
National Components of Chinese Musical Theatre |
Abstract
PDF (Rus)
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Hua Feng |
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| No 1 (2025) |
The image of a clown in the musical art |
Abstract
PDF (Rus)
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O. Yu. Kolpetskaya, M. V. Kholodova |
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| No 1 (2025) |
Ornamentation in singing in the works of Russian pedagogues of the second half of the 19th century |
Abstract
PDF (Rus)
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D. V. Cheblykov |
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| No 1 (2025) |
Features of the opera dramaturgy of The Dawns are Quiet Here in the Kirill Molchanov’s and Tan Jianping’s editions |
Abstract
PDF (Rus)
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Hua Feng |
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| No 6 (2024) |
Interpretations of the Faustian Myth in Opera Librettos of the Late 20th – early 21st Centuries |
Abstract
PDF (Rus)
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S. V. Lavrova, V. A. Shekalov |
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| No 6 (2024) |
To the Question of Definition of Fusion in the History of Jazz Art |
Abstract
PDF (Rus)
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E. V. Lubyanaya |
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| No 6 (2024) |
The evolution of traditional Japanese theater in the 21st century |
Abstract
PDF (Rus)
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V. I. Maksimov |
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| No 6 (2024) |
Terminology Performing Techniques on Kyrgyz Komuz |
Abstract
PDF (Rus)
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M. A. Naumova, I. S. Popova |
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| No 6 (2024) |
Delsarte’s Semiotic System in the Unity of Theory and Practice |
Abstract
PDF (Rus)
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E. V. Pridanova |
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| No 6 (2024) |
On the Training of Specialists in Musical Folklore at Leningrad State Conservatory in the Late 1920s |
Abstract
PDF (Rus)
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E. S. Redkova |
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| No 6 (2024) |
Genres of “Mother’s” Folklore and “Children’s Rhythm” |
Abstract
PDF (Rus)
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E. S. Redkova, E. K. Filatenkova |
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| No 6 (2024) |
The Sound Score of movies by Terrence Malick (on the example of his second working period) |
Abstract
PDF (Rus)
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F. F. Solomentsev |
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| No 6 (2024) |
The Application of Traditional Cultural Elements in the Development of Chinese Piano Miniatures (on the Example of Tan Dun’s Piano Works) |
Abstract
PDF (Rus)
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Shiyu Qin |
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| No 6 (2024) |
The Yellow Sound bу A. Schnittke in a Dialogue with Experiments of the Postmodern Era |
Abstract
PDF (Rus)
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T. V. Frantova |
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| No 5 (2024) |
“Without setting boundaries between melody of verse and the one of music”: the concept of “sounding substance’ by Boris Asafiev and research of the “living word" |
Abstract
PDF (Eng)
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T. V. Bukina |
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| No 5 (2024) |
Johann Sebastian Bach: Education in Ohrdruf |
Abstract
PDF (Rus)
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N. V. Dahl |
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| No 5 (2024) |
Music section of the Petrograd House of arts |
Abstract
PDF (Rus)
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M. A. Likhinina |
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| No 5 (2024) |
Cyriacus Spangenberg and the main points of his chronicle of music |
Abstract
PDF (Rus)
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Zh. V. Savitskaya |
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| No 5 (2024) |
Theatre, palace, park and decorative and applied arts: Dialogue of arts in the Chinoiserie style |
Abstract
PDF (Rus)
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B. L. Shapiro |
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| No 4 (2024) |
“The complete singing school” by Alexander Varlamov: French archetype and Italian influence |
Abstract
PDF (Rus)
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D. A. Astashev |
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| No 4 (2024) |
F. I. Shaljapin — director of A. N. Serov’s opera The Enemy’s Power |
Abstract
PDF (Rus)
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Z. M. Guseinova |
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| No 4 (2024) |
The visual solution of a ballet performance: The experience of conceptual understanding |
Abstract
PDF (Rus)
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E. E. Drobysheva, T. K. Noginova |
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| No 4 (2024) |
Manuscript on P. Myatleva in Znamenka: On the history of dilletanti teatricals in Russia in the late 18th – early 19th |
Abstract
PDF (Rus)
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A. O. Leykin |
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| No 4 (2024) |
Ornamentation in the vocal treatises of Manuel Garcia (son) and Henrietta Nissen-Saloman: The Paris method and its implementation into the practice of the Petersburg conservatory |
Abstract
PDF (Rus)
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D. V. Cheblykov |
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| No 3 (2024) |
The concept of partnering in Western dance studies |
Abstract
PDF (Rus)
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L. A. Menshikov, I. S. Sachkov |
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| No 3 (2024) |
The genre of fairy tales in the domestic film art: History and modernity |
Abstract
PDF (Rus)
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A. Y. Rusakov |
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| No 3 (2024) |
The phenomenon of abulia in contemporary art |
Abstract
PDF (Rus)
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D. A. Fotina |
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| No 3 (2024) |
Kitezh by Artur Zobnin in the context of Russian metamodern |
Abstract
PDF (Rus)
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N. A. Khrustcheva |
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| No 3 (2024) |
Alexander Antonovsky in the premiere of the opera Pan Voyevoda by N. A. Rimsky-Korsakov |
Abstract
PDF (Rus)
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O. A. Tsybulko |
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| No 2 (2024) |
Henry Cowell’s “Elastic Form” as a new experience in building a flexible musical and choreographic space |
Abstract
PDF (Rus)
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S. G. Belykh |
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| No 2 (2024) |
Ways of interaction of a composer with artificial intelligence and the problem of authorship of a work generated by a neural network |
Abstract
PDF (Rus)
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V. E. Grigoriev |
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| No 2 (2024) |
Word, image, performance: living pictures in the theory of fine arts and theater of the 17th−18th centuries |
Abstract
PDF (Rus)
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A. M. Zinovyeva |
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| No 2 (2024) |
The socio-political significance of Chinese opera in the 1950s |
Abstract
PDF (Rus)
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Yan Cheng |
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| No 1 (2024) |
Performance at the trial: L’Alouette by Jean Anouilh |
Abstract
PDF (Rus)
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G. V. Sudakov |
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| No 1 (2024) |
Yu. G. Bildstein (Van Horen) — the founder of the first Russian Ensemble of Ancient Instruments |
Abstract
PDF (Rus)
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V. A. Shekalov |
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| No 1 (2024) |
The Holy liturgy in the Ossetian language in the contecst of the Christian liturgical tradition of the Ossetians |
Abstract
PDF (Rus)
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I. I. Kulova |
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| No 1 (2024) |
Evolution of the art of acting in the late 18th and the early 19th in the context of social changes and modernist trend |
Abstract
PDF (Rus)
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V. I. Maksimov |
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| No 1 (2024) |
The statement of fabulously romantic trends in the Soviet performances by fiaba Gozzi (1930−1940s) |
Abstract
PDF (Rus)
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A. N. Mishurinskaya |
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| No 1 (2024) |
Sculptural suites The Snow Maiden and Sadko: The influence of the Abramtsevo circle on the art of Mikhail Vrubel |
Abstract
PDF (Rus)
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V. I. Nikiforova |
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| No 5 (2023) |
The problem of participation in dramatic performance and role-playing game |
Abstract
PDF (Rus)
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M. V. Коzhekina |
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| No 5 (2023) |
About the manuscript Papillon by Nikolai Tcherepnin |
Abstract
PDF (Rus)
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D. V. Lyubimov |
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| No 5 (2023) |
Woman on the stage of a Medieval mystery |
Abstract
PDF (Rus)
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I. A. Nekrasiva |
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| No 5 (2023) |
Film language of the literary script : The wild field by Pyotr Lutsik and Aleksey Samoryadov |
Abstract
PDF (Rus)
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E. V. Prokhorova |
| |
| No 5 (2023) |
The 20th century counterpoint — the Open System |
Abstract
PDF (Rus)
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T. V. Frantova |
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| No 5 (2023) |
Broadcastability of academic music to the modern listener: Problems and solutions |
Abstract
PDF (Rus)
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E. B. Yussa |
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| No 5 (2023) |
Redefining classics and modernity: Russian musicology of the late 1920s on Sergey Prokofiev |
Abstract
PDF (Rus)
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T. V. Bukina |
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| No 4 (2023) |
Eschatological images in the dramaturgy of De temporum fine comoedia by C. Orff: Implementation features |
Abstract
PDF (Rus)
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N. A. Karpun |
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