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| Issue |
Title |
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| No 6 (2025) |
The opera The government inspector by V. Dashkevich and Y. Kim: On the question of intertextual connections between the libretto and the music |
Abstract
PDF (Rus)
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K. E. Vasilisina, S. G. Voitkevich |
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| No 6 (2025) |
Art without art |
Abstract
PDF (Rus)
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O. I. Tarasova |
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| No 6 (2025) |
The formation of a concept of “Sounding substance” in Boris Asafiev’s critical heritage of the early 1920s: Symphonic etudes |
Abstract
PDF (Rus)
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T. V. Bukina |
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| No 5 (2025) |
Semantics of electric guitar timbre in spectral music: Tristan Murail’s Vampyr! |
Abstract
PDF (Rus)
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V. Е. Grigoriev |
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| No 5 (2025) |
P. I. Tchaikovsky’s music in ballet as a problem. Analysis by the premiere critics |
Abstract
PDF (Rus)
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A. V. Komarov |
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| No 5 (2025) |
Material musical objects in the postmodernist paradigm |
Abstract
PDF (Rus)
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V. А. Kukhta |
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| No 5 (2025) |
Martenot waves in 20th-century composition: From Edgard Varèse to Pierre Boulez and Tristan Murai |
Abstract
PDF (Rus)
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Menghan Li |
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| No 5 (2025) |
Formation of the Chinoiserie style and the manifestation of Chinese culture in the Voltaire’s play The Chinese Orphan |
Abstract
PDF (Rus)
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V. I. Maksimov, Xianmei Li |
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| No 5 (2025) |
Unknown romances by Vladimir Tsytovich: From unpublished manuscripts |
Abstract
PDF (Rus)
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M. M. Manafova |
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| No 5 (2025) |
M. I. Glinka’s ballroom music in the ceremonies of the Russian court |
Abstract
PDF (Rus)
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N. A. Ogarkova |
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| No 5 (2025) |
Musicking: Is it a neologism that cannot be translated into Russian, or an actual concept? |
Abstract
PDF (Rus)
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T. A. Tsvetkovskaya |
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| No 5 (2025) |
Hemingway: Paris years (1922‒1926) and the development of his literary talent |
Abstract
PDF (Rus)
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N. F. Scherbak |
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| No 4 (2025) |
Four premieres of the play Prince Igor by A. Borodin at the Mariinsky Theater (1988, 1996, 1998, 2001) |
Abstract
PDF (Rus)
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A. K. Vasilev |
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| No 4 (2025) |
The problem of representation: From the religious sign to the metalanguage of the visual |
Abstract
PDF (Rus)
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I. A. Kronchev |
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| No 4 (2025) |
Ondes Martenot and Theremin ‒ “humanized voices” of alternating current |
Abstract
PDF (Rus)
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Menghan Li |
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| No 4 (2025) |
Hamlet by Yuri Butusov at the Lensoviet theatre: Composition and artistic content |
Abstract
PDF (Rus)
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O. N. Maltseva |
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| No 4 (2025) |
About terms in entertainment art |
Abstract
PDF (Rus)
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S. E. Parfenov |
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| No 4 (2025) |
The Opera-ballet Le Dieu et la bayadère by D.-F.-E. Auber and E. Scribe: A Musical and Dramatic Interpretation of the Character of Zoloé |
Abstract
PDF (Rus)
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Yayuan Tian, N. V. Medvedeva |
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| No 4 (2025) |
Singing guides by Auguste Andrade and Alexander Varlamov: Theoretical parallels |
Abstract
PDF (Rus)
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D. A. Astashev |
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| No 4 (2025) |
Charlie Chaplin as a composer |
Abstract
PDF (Rus)
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V. S. Bezmenov |
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| No 4 (2025) |
Letters of Ferruccio Busoni to his wife in 1902: Translation, comments and preliminary remarks |
Abstract
PDF (Rus)
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B. B. Borodin |
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| No 3 (2025) |
Existential irony and macabre grotesque in György Ligeti’s opera Le Grand Macabre |
Abstract
PDF (Rus)
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M. O. Andreeva |
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| No 3 (2025) |
Ya. P. Polonsky as the librettist of A. N. Serov’s opera The Power of the Fiend |
Abstract
PDF (Rus)
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A. S. Voitseshko |
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| No 3 (2025) |
Semantics of electric guitar timbre in contemporary music |
Abstract
PDF (Rus)
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V. Е. Grigoriev |
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| No 3 (2025) |
The masks of The Rose and the Cross by Blok in Tsvetaeva’s early plays |
Abstract
PDF (Rus)
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D. D. Kumukova |
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| No 3 (2025) |
Domestic art and education on the turn of the “visual turn” |
Abstract
PDF (Rus)
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A. Yu. Rusakov |
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| No 2 (2025) |
Russian State Institute of Performing Arts |
Abstract
PDF (Rus)
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R. R. Kabirzyanov |
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| No 2 (2025) |
Visualization of the Image of Cherry Orchard in Theatrical Productions of the 20‒21st Centuries |
Abstract
PDF (Rus)
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A. I. Smolenskaya |
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| No 2 (2025) |
National Components of Chinese Musical Theatre |
Abstract
PDF (Rus)
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Hua Feng |
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| No 2 (2025) |
On Two Musical Presentations of Dystopian Motifs of the Poem The Grand Inquisitor from F. M. Dostoevsky’s Novel The Brothers Karamazov |
Abstract
PDF (Rus)
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S. G. Voitkevich |
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| No 1 (2025) |
The image of a clown in the musical art |
Abstract
PDF (Rus)
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O. Yu. Kolpetskaya, M. V. Kholodova |
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| No 1 (2025) |
Ornamentation in singing in the works of Russian pedagogues of the second half of the 19th century |
Abstract
PDF (Rus)
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D. V. Cheblykov |
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| No 1 (2025) |
Features of the opera dramaturgy of The Dawns are Quiet Here in the Kirill Molchanov’s and Tan Jianping’s editions |
Abstract
PDF (Rus)
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Hua Feng |
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| No 6 (2024) |
The Yellow Sound bу A. Schnittke in a Dialogue with Experiments of the Postmodern Era |
Abstract
PDF (Rus)
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T. V. Frantova |
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| No 6 (2024) |
Interpretations of the Faustian Myth in Opera Librettos of the Late 20th – early 21st Centuries |
Abstract
PDF (Rus)
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S. V. Lavrova, V. A. Shekalov |
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| No 6 (2024) |
To the Question of Definition of Fusion in the History of Jazz Art |
Abstract
PDF (Rus)
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E. V. Lubyanaya |
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| No 6 (2024) |
The evolution of traditional Japanese theater in the 21st century |
Abstract
PDF (Rus)
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V. I. Maksimov |
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| No 6 (2024) |
Terminology Performing Techniques on Kyrgyz Komuz |
Abstract
PDF (Rus)
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M. A. Naumova, I. S. Popova |
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| No 6 (2024) |
Delsarte’s Semiotic System in the Unity of Theory and Practice |
Abstract
PDF (Rus)
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E. V. Pridanova |
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| No 6 (2024) |
On the Training of Specialists in Musical Folklore at Leningrad State Conservatory in the Late 1920s |
Abstract
PDF (Rus)
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E. S. Redkova |
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| No 6 (2024) |
Genres of “Mother’s” Folklore and “Children’s Rhythm” |
Abstract
PDF (Rus)
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E. S. Redkova, E. K. Filatenkova |
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| No 6 (2024) |
The Sound Score of movies by Terrence Malick (on the example of his second working period) |
Abstract
PDF (Rus)
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F. F. Solomentsev |
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| No 6 (2024) |
The Application of Traditional Cultural Elements in the Development of Chinese Piano Miniatures (on the Example of Tan Dun’s Piano Works) |
Abstract
PDF (Rus)
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Shiyu Qin |
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| No 5 (2024) |
“Without setting boundaries between melody of verse and the one of music”: the concept of “sounding substance’ by Boris Asafiev and research of the “living word" |
Abstract
PDF (Eng)
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T. V. Bukina |
| |
| No 5 (2024) |
Johann Sebastian Bach: Education in Ohrdruf |
Abstract
PDF (Rus)
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N. V. Dahl |
| |
| No 5 (2024) |
Music section of the Petrograd House of arts |
Abstract
PDF (Rus)
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M. A. Likhinina |
| |
| No 5 (2024) |
Cyriacus Spangenberg and the main points of his chronicle of music |
Abstract
PDF (Rus)
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Zh. V. Savitskaya |
| |
| No 5 (2024) |
Theatre, palace, park and decorative and applied arts: Dialogue of arts in the Chinoiserie style |
Abstract
PDF (Rus)
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B. L. Shapiro |
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| No 4 (2024) |
Manuscript on P. Myatleva in Znamenka: On the history of dilletanti teatricals in Russia in the late 18th – early 19th |
Abstract
PDF (Rus)
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A. O. Leykin |
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| No 4 (2024) |
Ornamentation in the vocal treatises of Manuel Garcia (son) and Henrietta Nissen-Saloman: The Paris method and its implementation into the practice of the Petersburg conservatory |
Abstract
PDF (Rus)
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D. V. Cheblykov |
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