CROSS-DISCIPLINARY RESEARCH IN CHOREOGRAPHY, MUSIC AND THEATRE
| Issue | Title | |
| No 6 (2023) | Music of Choreographic Miniatures by Leonid Yakobson: Problems of selection and arrangement of materia | Abstract PDF (Rus) |
| G. A. Bezuglaya, V. G. Shestopalova | ||
| No 6 (2023) | Gesture as a synthesis of music and choreography in danceoperas: Pina Bausch, Sasha Waltz, Anna Teresa de Keersmaeker | Abstract PDF (Rus) |
| Z. A. Voinova | ||
| No 6 (2023) | Mozart-Tango: a musical and poetic dialogue directed by M. Bejar | Abstract PDF (Rus) |
| E. E. Drobysheva, K. Hongyu | ||
| No 6 (2023) | «“Mozart-Tango” by M. Bejart: a dialogue of “two musics” in the artistic world of ballet» | Abstract PDF (Rus) |
| A. V. Horn | ||
| No 5 (2023) | Nationalization as a factor of the national Chinese ballet’s emergence | Abstract PDF (Rus) |
| Yu. O. Novik, Liuxuan Song | ||
| No 4 (2023) | Suite from the ballet The Marriage of Balzaminov by V. A. Gavrilin: Genre perspective and accents of musical drama | Abstract PDF (Rus) |
| I. S. Vorobyov | ||
| No 3 (2023) | August Bournonville in the range of composers | Abstract PDF (Rus) |
| G. A. Bezuglaia | ||
| No 2 (2023) | August Bournonville and Music: The Musical Experience and Impressions of a Danish Choreographer | Abstract PDF (Rus) |
| G. A. Bezuglaia | ||
| No 2 (2023) | Dance as a conceptual idea of the ballet by J. Sibelius Scaramush | Abstract PDF (Rus) |
| A. V. Gorn | ||
| No 2 (2023) | David Lang and Édouard Lock: Post-minimalist music in contemporary dance | Abstract PDF (Rus) |
| A. E. Krom | ||
| No 1 (2023) | Phenomenon “dances in the opera” in Igor Stravinsky’s musical theater | Abstract PDF (Rus) |
| N. A. Braginskaya | ||
| No 1 (2023) | Theatrical performance “Day of the City” as a modification of the side effects of ritual | Abstract PDF (Rus) |
| E. A. Kaminskaya, L. V. Danilova | ||
| No 1 (2023) | Theatricalization in the spatial and plastic solution of the performance: On the examples of creative screenings of students of the St. Petersburg State Institute of Culture | Abstract PDF (Rus) |
| D. D. Sokolov, D. A. Fotina | ||
| No 6 (2022) | Deconstruction of the semantics of musical quotations in the film The house that Jack built by Lars von Trier | Abstract PDF (Rus) |
| A. А. Komarova | ||
| No 5 (2022) | Analysis of elements of musically visual minimalism in the Godfrey Reggio’s Katsi trilogy | Abstract PDF (Rus) |
| A. О. Kozyrev | ||
| No 4 (2022) | About the «non-canonical» versions of the ballet Raymonda by A. Glazunov: To the problem of the relationship of music and plot | Abstract PDF (Rus) |
| G. A. Bezuglaia | ||
| No 5 (2021) | Eurythmics and dance: To the history of Emile Jacques-Dalcroze method and choreography interaction | Abstract PDF (Rus) |
| G. A. Uvarova | ||
| No 2 (2019) | AFFECTIVE MEMORY IN STANISLAVSKY’S AND DEMIDOV’S EXERCISES | Abstract PDF (Rus) |
| L. V. Gracheva | ||
| No 2 (2019) | ANTHROPOLOGICAL FOUNDATION OF E. BARBA’S THEATRE ANTHROPOLOGY CONCEPT | Abstract PDF (Rus) |
| Yu. O. Novik | ||
| No 2 (2019) | «STORK» BALLET FOR CHILDREN (1937) IN PORCELAIN SMALL FORMS | Abstract PDF (Rus) |
| O. S. Sapanzha, N. A. Balandina | ||
| No 2 (2019) | THE IMAGE OF A BALLERINA IN THE FILMS FUETTE AND MYTH AS A FLAGMAN OF SOCIETY RESTORATION: TO THE PROBLEM OF REPRESENTATION | Abstract PDF (Rus) |
| S. A. Smagina | ||
| No 2 (2019) | PIANO ISLAND — GULAGYUY | Abstract PDF (Rus) |
| Yi. Ding | ||
| No 2 (2019) | HOW TO HEAR CHOREOGRAPHY: «MUSICAL INCIPIT» IN THE ART OF BALLET | Abstract PDF (Rus) |
| G. A. Bezuglaia | ||
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