IN THE MIRROR OF ARTS
| Issue | Title | |
| No 3 (2015) | Two «Didons». Opera libretto in the XVII and XVIII centuries | Abstract PDF (Rus) |
| Evgeniia Е. Kiselyova | ||
| No 1 (2016) | Spatial-visual complexes of russian interior XVII - first third of the XIX and his scenographic potential | Abstract PDF (Rus) |
| Elena K. Blinova, Anna Y. Gamaskina | ||
| No 3 (2015) | V. Horovitz plays S. Rachmaninoff: experience of comparative analisis of interpretation | Abstract PDF (Rus) |
| Marina V. Smirnova | ||
| No 1 (2016) | Sviatoslav Richter: «For those i can to play today?» | Abstract PDF (Rus) |
| Leonid E. Gakkel | ||
| No 3 (2015) | Classical guitar in the music by Boris Vladimirovich B. V. Asafiev | Abstract PDF (Rus) |
| Yulia A. Finkelstein | ||
| No 1 (2016) | On the problem of musical and dramatic forms of the final in the operas ofJ. Verdi (based on the letters of the composer) | Abstract PDF (Rus) |
| Anastasia A. Logunova | ||
| No 3 (2015) | The theory principles of Russian formal method (1910-20 years) in comparison with the formal ideas of romanticism and russian avant-garde | Abstract PDF (Rus) |
| Karina B. Vengerova | ||
| No 1 (2016) | Adolf von Henselt and Russian musicians of his time | Abstract PDF (Rus) |
| Olga A. Skorbyashchenskaya | ||
| No 5 (2015) | Atmosphere, energy and action of performance | Abstract PDF (Rus) |
| Irina I. Boykova | ||
| No 4 (2015) | «Living Pictures»: Visual Theatre of before-director’s era (to the history of Russian theater of the first half of the XIX century) | Abstract PDF (Rus) |
| Anna V. Konstantinova | ||
| No 5 (2015) | «The theatre of panpsychism» of Leonid Andreyev | Abstract PDF (Rus) |
| Elena V. Bulysheva | ||
| No 4 (2015) | Composer Thomas de Hartmann: biographical notes about forgotten compatriot of the circle of V. Kandinsky | Abstract PDF (Rus) |
| Ilona I. Krymskaya | ||
| No 5 (2015) | At the origins of opera directing. «Eugene Onegin» of K. Korovin, A. Gorsky, P. Melnikov | Abstract PDF (Rus) |
| Alexandr K. Vasiliev | ||
| No 4 (2016) | Structure and meaning: on the perception of music by untrained listener | Abstract PDF (Rus) |
| N. I. Degtyareva, P. M. Eismont | ||
| No 5 (2015) | The Ensemble of traditional folk-instruments as the basis to the people’s folk-instrumental performance in Mordovia | Abstract PDF (Rus) |
| Anastasija Y. Kildyushkina | ||
| No 4 (2016) | Artistic elites in caricatures of I.A. Vsevolozhsky | Abstract PDF (Rus) |
| L. D. Melnichuk | ||
| No 5 (2015) | Grotta of Isabella D’Este and her collection | Abstract PDF (Rus) |
| Olga G. Makho | ||
| No 4 (2016) | String Quartet (F-dur) as a subject of P.I. Tchaikovsky and N.A. Rimsky-Korsakov correspondence | Abstract PDF (Rus) |
| E. V. Stepanova | ||
| No 1 (2015) | The first artists of Vladivostok’s «underground» in 1960s | Abstract PDF (Rus) |
| Natalia A. Levdanskaja | ||
| No 5 (2015) | About the mysteries of the last Shostakovich’s symphony | Abstract PDF (Rus) |
| Ludmila A. Skaftymova | ||
| No 4 (2016) | A.N. Ostrovsky’s “Plays of life” and F.M. Dostoevsky’s “Novel-tragedy” | Abstract PDF (Rus) |
| Yu. N. Chirva | ||
| No 1 (2015) | «The rival of the proud Melpomene». Melodrama in the Russian theatrical criticism in the thirties - forties of the XIX century (P. II) | Abstract PDF (Rus) |
| Alla A. Samokhina | ||
| No 5 (2015) | Stravinsky. Verge of creativity (to the problem of periods) | Abstract PDF (Rus) |
| Valeriy V. Smirnov | ||
| No 4 (2016) | Vladimir Nielsen and organ | Abstract PDF (Rus) |
| V. A. Shekalov | ||
| No 1 (2015) | Plastic expression of an expressionistic actor on stage and on a screen | Abstract PDF (Rus) |
| Tatyana A. Solomkina | ||
| No 2 (2016) | On the classification of music created on the picturesque plot | Abstract PDF (Rus) |
| Angelina S. Stepanova | ||
| No 2 (2015) | War and Science images in the intarsias of Federico da Montefelo’s studiolo in Urbino | Abstract PDF (Rus) |
| Olga G. Makho | ||
| No 3 (2016) | Images of Theatre in ceramics of Leningrad-Petersburg | Abstract PDF (Rus) |
| Julia V. Gusarova | ||
| No 2 (2015) | Imaginism: «cafe epoch» | Abstract PDF (Rus) |
| Nadezda V. Stoeva | ||
| No 3 (2016) | Requiem by Bruno Maderna: on crossing of eras | Abstract PDF (Rus) |
| Aleksandr S. Ryzhinskiy | ||
| No 2 (2015) | Pyotr Tchaikovsky and early music | Abstract PDF (Rus) |
| Vladimir A. Shekalov | ||
| No 3 (2016) | Three syntagms of iconic rhetoric on the basis of contrast paradigm | Abstract PDF (Rus) |
| Alexander G. Sechin | ||
| No 3 (2015) | The Specificity of the Traditional Theatrical Dance performance in the Japanese Kabuki Theater | Abstract PDF (Rus) |
| Polina V. Samsonova | ||
| No 3 (2016) | Tibetan mandala: types and techniques | Abstract PDF (Rus) |
| Lei Chu, Xenia Chu | ||
| 1 - 34 of 34 Items | ||
