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| Issue |
Title |
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| No 4 (2018) |
CHOREOGRAPHIC PROJECTIONS OF ARVO PÄRT’S SOUND SPACE ARCHITECTONICS IN CHRISTOPHER WHEELDON’S BALLETS |
Abstract
PDF (Rus)
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|
N. V. Argamakova |
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| No 4 (2018) |
CHOREOGRAPHIC ALEATORY OF MERCE CUNNINGHAM IN THE CONTEXT OF MOBILE WORKS OF ART |
Abstract
PDF (Rus)
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|
M. V. Pereverzeva |
| |
| No 3 (2017) |
Notation and fixing of the choreographic text in operating conditions of media means |
Abstract
PDF (Rus)
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Irina I. Irkhen, Svetlana V. Lavrova |
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| No 3 (2017) |
Italian spectacular ballet and “technological sublime”. Rehabilitation of Excelsior |
Abstract
PDF (Rus)
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Larisa V. Nikiforova, Natalia V. Nikiforova, Anastasia L. Vasilieva |
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| No 3 (2017) |
Ideology and musical theater in the era of Stalinism |
Abstract
PDF (Rus)
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Dmitriy V. Izotov |
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| No 3 (2017) |
Seventh symphony of Shostakovich in creativity of choreographer B.G. Ayukhanov |
Abstract
PDF (Rus)
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Ilzat R. Aukhadiyev, Lyudmila A. Zhuykova |
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| No 3 (2017) |
Modern technologies in the service of art: the new life of dance |
Abstract
PDF (Rus)
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|
Elena E. Drobysheva, Yuri A. Smekalov |
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