| |
| Issue |
Title |
| |
| No 4 (2025) |
European ballroom orchestras of the first half of the 19th century: An orchestral practice laboratory |
Abstract
PDF (Rus)
|
|
G. A. Bezuglaya |
| |
| No 4 (2025) |
To the problem of cultural and historical evaluation of the media heritage of Alexander Shiryayev |
Abstract
PDF (Rus)
|
|
I. I. Yugay |
| |
| No 3 (2025) |
Freddie Mercury and Russian ballet: how the rock scene became a theatrical stage |
Abstract
PDF (Rus)
|
|
A. S. Ascheulova |
| |
| No 4 (2018) |
CHOREOGRAPHIC PROJECTIONS OF ARVO PÄRT’S SOUND SPACE ARCHITECTONICS IN CHRISTOPHER WHEELDON’S BALLETS |
Abstract
PDF (Rus)
|
|
N. V. Argamakova |
| |
| No 4 (2018) |
CHOREOGRAPHIC ALEATORY OF MERCE CUNNINGHAM IN THE CONTEXT OF MOBILE WORKS OF ART |
Abstract
PDF (Rus)
|
|
M. V. Pereverzeva |
| |
| No 3 (2017) |
Modern technologies in the service of art: the new life of dance |
Abstract
PDF (Rus)
|
|
Elena E. Drobysheva, Yuri A. Smekalov |
| |
| No 3 (2017) |
Notation and fixing of the choreographic text in operating conditions of media means |
Abstract
PDF (Rus)
|
|
Irina I. Irkhen, Svetlana V. Lavrova |
| |
| No 3 (2017) |
Italian spectacular ballet and “technological sublime”. Rehabilitation of Excelsior |
Abstract
PDF (Rus)
|
|
Larisa V. Nikiforova, Natalia V. Nikiforova, Anastasia L. Vasilieva |
| |
| No 3 (2017) |
Ideology and musical theater in the era of Stalinism |
Abstract
PDF (Rus)
|
|
Dmitriy V. Izotov |
| |
| No 3 (2017) |
Seventh symphony of Shostakovich in creativity of choreographer B.G. Ayukhanov |
Abstract
PDF (Rus)
|
|
Ilzat R. Aukhadiyev, Lyudmila A. Zhuykova |
| |
| 1 - 10 of 10 Items |
|
