DANCE TECHNIQUE AND THEATRE PEDAGOGY
| Issue | Title | |
| No 6 (2021) | The experience of Galina Vishnevskaya Opera Center in the Russian system of supplementary professional education | Abstract PDF (Rus) |
| E. P. Savelieva | ||
| No 5 (2021) | About Vaganova | Abstract PDF (Rus) |
| I. P. Deshkova | ||
| No 5 (2021) | The uniqueness of “The Technique of a Ballet Artist” by Olga Spesivtseva | Abstract PDF (Rus) |
| Yu. A. Kasenkova | ||
| No 4 (2021) | Ethical aspects of interaction as a methodological basis for partnering in contemporary dance | Abstract PDF (Rus) |
| I. S. Sachkov | ||
| No 4 (2021) | Features of working with young men of the post-mutational period in the class of a vocal teacher at the A. V. Sveshnikov Choral School | Abstract PDF (Rus) |
| L. A. Sharnina | ||
| No 2 (2021) | Education in the Russian ballet school: Development prospects | Abstract PDF (Rus) |
| E. A. Kuzmina | ||
| No 1 (2021) | Overcoming desomatization in the formation of plastic culture of an actor | Abstract PDF (Rus) |
| N. E. Belyakov | ||
| No 1 (2021) | «Canto rinascimentale e barocco»: The assessment informative aspect of vocalist’s master’s degree programs in Italy | Abstract PDF (Rus) |
| D. A. Astashev | ||
| No 6 (2018) | NEW FORMS AND APPROACHES IN RUSSIAN ARTISTIC EDUCATION | Abstract PDF (Rus) |
| E. L. Rybakova | ||
| No 6 (2018) | PSYCHOPHYSIOLOGY AND THEATRE EDUCATION | Abstract PDF (Rus) |
| L. V. Gracheva | ||
| No 6 (2018) | CLASSICAL HERITAGE IN PROFESSIONAL CHOREOGRAPHS AND BALLET MASTERS TRAINING | Abstract PDF (Rus) |
| F. V. Lopukhov | ||
| 1 - 11 of 11 Items | ||
