DANCE TECHNIQUE AND THEATRE PEDAGOGY
Issue | Title | |
No 6 (2021) | The experience of Galina Vishnevskaya Opera Center in the Russian system of supplementary professional education | Abstract PDF (Rus) |
E. P. Savelieva | ||
No 5 (2021) | About Vaganova | Abstract PDF (Rus) |
I. P. Deshkova | ||
No 5 (2021) | The uniqueness of “The Technique of a Ballet Artist” by Olga Spesivtseva | Abstract PDF (Rus) |
Yu. A. Kasenkova | ||
No 4 (2021) | Ethical aspects of interaction as a methodological basis for partnering in contemporary dance | Abstract PDF (Rus) |
I. S. Sachkov | ||
No 4 (2021) | Features of working with young men of the post-mutational period in the class of a vocal teacher at the A. V. Sveshnikov Choral School | Abstract PDF (Rus) |
L. A. Sharnina | ||
No 2 (2021) | Education in the Russian ballet school: Development prospects | Abstract PDF (Rus) |
E. A. Kuzmina | ||
No 1 (2021) | Overcoming desomatization in the formation of plastic culture of an actor | Abstract PDF (Rus) |
N. E. Belyakov | ||
No 1 (2021) | «Canto rinascimentale e barocco»: The assessment informative aspect of vocalist’s master’s degree programs in Italy | Abstract PDF (Rus) |
D. A. Astashev | ||
No 6 (2018) | CLASSICAL HERITAGE IN PROFESSIONAL CHOREOGRAPHS AND BALLET MASTERS TRAINING | Abstract PDF (Rus) |
F. V. Lopukhov | ||
No 6 (2018) | NEW FORMS AND APPROACHES IN RUSSIAN ARTISTIC EDUCATION | Abstract PDF (Rus) |
E. L. Rybakova | ||
No 6 (2018) | PSYCHOPHYSIOLOGY AND THEATRE EDUCATION | Abstract PDF (Rus) |
L. V. Gracheva | ||
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