THEORY AND HISTORY OF CHOREOGRAPHIC ART
Issue | Title | |
No 2 (2016) | «Baltaragis’ Windmill»: book - musical - movie - ballet | Abstract PDF (Rus) |
Sergey V. Fisher | ||
No 2 (2016) | Young - experienced. «Creative workshop of young choreographers» - 2016 | Abstract PDF (Rus) |
Vita O. Chushkina | ||
No 3 (2016) | John Neumeier - today. Festival «Ballett-Tage» (Hamburg) | Abstract PDF (Rus) |
Natalia N. Zozulina | ||
No 3 (2016) | Кармен и Клеопатра в отсутствие мужчин. «Астана-балет» | Abstract PDF (Rus) |
Olga I. Rozanova | ||
No 1 (2017) | “Romeo and Juliet’ rendition by Sergey Prokofiev and Vernon Duke: transatlantic dialogue | Abstract PDF (Rus) |
Antonina S. Maksimova | ||
No 1 (2017) | “The red poppy” ballet in the space of everyday Soviet culture | Abstract PDF (Rus) |
Olga S. Sapanzha, Natalia A. Balandina | ||
No 1 (2017) | Aitmatov’s “Asel” as a ballet performance | Abstract PDF (Rus) |
Chyngyz I. Adzhibaev | ||
No 1 (2017) | Two “Egles”. Ballet-tale of V. Grivickas on stage and on screen | Abstract PDF (Rus) |
Aleksandras Yankauskas, Anna V. Konstantinova | ||
No 1 (2017) | M. Vainberg’s “The golden key” ballet with the choreography by M. Tleubaev | Abstract PDF (Rus) |
Damir D. Urazymbetov | ||
No 1 (2017) | Enrico Cecchetti in Russia | Abstract PDF (Rus) |
Fethon Miozzi | ||
No 2 (2016) | The Dancing Songs in the Flourish of the Middle Ages: to the Problem of Existence | Abstract PDF (Rus) |
Saida Z. Iskhakova | ||
1 - 11 of 11 Items |