The New Wave in Chinese musical culture
Abstract
The current of the New Wave has been leading in the musical culture of China for several decades, and the work of many composers falls into this mainstream. At a conference in Wuhan in 1985, traditional Chinese music and modern Western composition techniques were identified as the style guidelines of the direction.
The author makes an attempt to identify the characteristic features of the New Wave as the leading artistic trend in the art of China of the XX century and to consider how they manifest themselves in the works of Chinese composers in the specifics of the musical language, thematic preferences, compositional technique, appeal to national folklore material. The periodization of the New Wave in musical art is proposed, the musical works of Guo Wenjing, Xu Changjun, Chen Qigang, Tang Dong are analyzed.
About the Author
Gjinpeng Yan
Saint Petersburg Rimsky-Korsakov State Conservatory
Russian Federation
Russian Federation
Yan Gjinpeng — Postgraduate Student
2, liter A, Glinki St., St. Petersburg, 190000
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Review
For citations:
Yan G. The New Wave in Chinese musical culture. Bulletin of Vaganova Ballet Academy. 2023;(3):135-146. (In Russ.)
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