The phenomenon of corporeality in the performance Vladimir Mayakovsky
Abstract
The article is devoted to the corporeality in the performance Vladimir Mayakovsky, held in Petrograd on the stage of Luna Park in early December 1913 as part of the project “the world’s first futurist theater”, organized by the society of artists Soyuz Molodyozhi and literary group Hylaea. The author, using the comparative method, analyzes corporeality in the theatrical meaning. As a result, on the one hand, the performance presents a model in which the performer abandons the role in its classical sense, thereby becoming a central element of the stage performance. On the other hand, the performance attempts to deconstruct the anatomy of the human body, which is a distinctive feature of Futurist aesthetics.
About the Author
A. A. Furmanov
Vaganova Ballet Academy
Russian Federation
Russian Federation
Postgraduate Student
SPIN: 3063-5778
2, Zodchego Rossi St., Saint Petersburg, 191023
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Review
For citations:
Furmanov A.A. The phenomenon of corporeality in the performance Vladimir Mayakovsky. Bulletin of Vaganova Ballet Academy. 2022;(2):129-138. (In Russ.)
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