The ballets of Yuri Falik: the interaction of genre and musical-dramatic ideas
Abstract
The article examines the works of Yu. Falik intended for the ballet scene or received a choreographic embodiment. Each of the three works is a concert for brass and percussion “Skomorohi”, a concert for the big symphony orchestra “Til Ulenschpigel”, choreographic tragedy “Orestey” discover features of several musical genres. Their interaction in the above-mentioned opuses, specific content, peculiarities of the composer style and creative intentions of choreographer G. Aleksidze, embodied the ideas of genre renewal characteristic of the Russian ballet of the 1960s. Falik’s works also continued one of the most important artistic trends of the 20th century – ballet’s desire for fusion with other musical genres and arts, and, as a result, the enrichment and complication of its drama design.
About the Author
A. V. Gorn
Vaganova Ballet Academy
Russian Federation
Russian Federation
Cand. Sci. (Arts),
Rossi St., 2, Saint-Petersburg, 191023
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Review
For citations:
Gorn A.V. The ballets of Yuri Falik: the interaction of genre and musical-dramatic ideas. Bulletin of Vaganova Ballet Academy. 2020;(3):85-98. (In Russ.)
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