The concept of choreography, dramaturgy and themes/motifs of Balanchine’s «Symphony in C»
          
      
    
      
    
                        
          
    
  
      
  
    
                
            Abstract
            The article deals with how the laws of symphonic music are applied to dance symphony with Balanchine’s «Symphony in C» as an example. The author analyses dramaturgy of the ballet and its four movements, considers their musical and choreographic forms and develops the author’s conception of a dance symphony.
         
              
      Keywords
      
                
        Дж. Баланчин,        
        
 Симфония до мажор,        
        
 танцсимфония,        
        
 драматургический анализ,        
        
 тематизм,        
        
 музыкально-хореографические формы,        
        
 Balanchine’s Symphony in C Major,        
        
 a dance symphony,        
        
 dramaturgical analysis,        
        
 themes/motifs,        
        
 musical and choreographic forms               
      
             
        
                        		
                     
    
        
    
    
    
 
    
      For citations:
                                    Zozulina N.N.
                                              The concept of choreography, dramaturgy and themes/motifs of Balanchine’s «Symphony in C».      Bulletin of Vaganova Ballet Academy.            2015;(3):160-172.  
                                                                                                      (In Russ.)
                                          
                                                          
    
  
  
  
  
    
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