CHOREOGRAPHIC ALEATORY OF MERCE CUNNINGHAM IN THE CONTEXT OF MOBILE WORKS OF ART
Abstract
Introduction. Under the influence of scientific and philosophical thought of the twentieth century there were radical changes in the field of painting, musical and choreographic art and literature. In the 1950th years the chance music has developed in music, however aleatoric concepts or close to it have arisen long before music in architecture, painting, literature and choreography.
Methodsand methodology of a research include the analysis of theoretical, historical scientific material, synthesis of information from primary sources (the statements of artists on the topic), and the analysis of the art works from the point of view of the controlled and aleatoric organization of the work.
Conclusion. Perhaps, Cunningham's experiments will remain experiments only, however influence of this largest modern dancer and choreographer (who integrated the leading art tendencies of the twentieth century) on the creativity of world art is so strong that his ideas, undoubtedly, will gain further development in the culture of the twenty first century.
About the Author
M. V. Pereverzeva
Russian State Social University
Russian Federation
Russian Federation
Dr. Sci. (Arts)
/1, Wilhelm Pik St., Moscow, 129226, Russian Federation
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Review
For citations:
Pereverzeva M.V. CHOREOGRAPHIC ALEATORY OF MERCE CUNNINGHAM IN THE CONTEXT OF MOBILE WORKS OF ART. Bulletin of Vaganova Ballet Academy. 2018;(4):71-90. (In Russ.)
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