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CLASSICAL RUSSIAN BALLETS IN ITALIAN SCENE: THE PROBLEM OF AUTHENTICITY OF RECONSTRUCTIONS

Abstract

The article is devoted to the cooperation of the Petersburg choreographers and ballet soloists with Italian ballet companies (Rome and Naples) in the beginning of the 21st century. The initial staging of Raymonda of A. Glazunov — M. Petipa carried out according to ‘Harvard records’ Sergei Vikharev (2011). Vyacheslav Khomyakov proposed his edition of the old Corsaire and the resumption of Egyptian Nights of A. Arensky - M. Fokin (2008 and 2009).

About the Author

F. Miozzi
Vaganova Ballet Academy
Russian Federation

2, Zodchego Rossi St., Saint Petersburg, 191023, Russian Federation



References

1. Savenko O. Russkaya klassika na zapadnyj lad // Balet Ad libitum. 2008. № 5. S. 47- 48.

2. Savenko O. Prazdnik russkogo baleta v Rime // Balet Ad libitum. 2009. № 3. S. 25-31.


Review

For citations:


Miozzi F. CLASSICAL RUSSIAN BALLETS IN ITALIAN SCENE: THE PROBLEM OF AUTHENTICITY OF RECONSTRUCTIONS. Bulletin of Vaganova Ballet Academy. 2018;(4):16-23. (In Russ.)

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ISSN 1681-8962 (Print)