Ear training for jazz musicians (about americans methodical grants)
Abstract
The present article is devoted to questions of education of hearing of jazz musicians. The special attention is paid to the subject «jazz solfeggio», as to the basic among musical and theoretical disciplines. Analytical reflections about experience of the American teachers who are engaged in development of methodical grants on development of hearing such as Jamey Aebersold and David Burge are presented in article. Finally, we consider the so-called «perfect pitch» and «color hearing», describes methods for the development of auditory and intonation skills. Experience of the American authors isn’t limited to the presented techniques, it is only small part of system of training and development of hearing of jazz musicians.
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Review
For citations:
Poleha A.E. Ear training for jazz musicians (about americans methodical grants). Bulletin of Vaganova Ballet Academy. 2015;(2):123-132. (In Russ.)
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