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Style features Preludes and Fugues in d minor S. Slonimsky

Abstract

The music of the XX century there are searches and experiments in various areas of thinking, is not limited to modern trends, and in each case is individualized and show imagination of the composer. Polyphony is one of the foundations of style creativity S. Slonimsky. Studying his polyphonic compositions provides an opportunity to realize the deep connection between modern with the ancient musical tradition. On the example d-moll preludes and fugues S. Slonimsky revealed stylistic features of the author.

About the Authors

Raisa N. Slonimskaya
Saint Petersburg State Institute of Culture
Russian Federation


Tzu-Yin Lin
State Pedagogical University Named after A. I. Herzen of Russia
Russian Federation


References

1. Гусева А. В. 24 прелюдии и фуги С. Слонимского: взгляд назад или размышление о будущем / От русского Серебряного века к Новому Ренессансу: Сб. ст. по материалам международного форума к юбилею С. Слонимского (4-7 апреля 2012 г.). СПб: Lennex Corp., Edinburgh, 2014. С. 294-306


Review

For citations:


Slonimskaya R.N., Tzu-Yin Lin  Style features Preludes and Fugues in d minor S. Slonimsky. Bulletin of Vaganova Ballet Academy. 2015;(1):176-182. (In Russ.)

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ISSN 1681-8962 (Print)