Style features Preludes and Fugues in d minor S. Slonimsky
Abstract
The music of the XX century there are searches and experiments in various areas of thinking, is not limited to modern trends, and in each case is individualized and show imagination of the composer. Polyphony is one of the foundations of style creativity S. Slonimsky. Studying his polyphonic compositions provides an opportunity to realize the deep connection between modern with the ancient musical tradition. On the example d-moll preludes and fugues S. Slonimsky revealed stylistic features of the author.
Keywords
С. М. Слонимский,
И. С. Бах,
Д. Д. Шостакович,
полифония,
хроматизм,
противосложение,
ответ,
стретта,
современное полифоническое письмо,
S. M. Slonimsky,
J. S. Bach,
D. D. Shostakovich,
polyphony,
chromaticism,
countersubject,
answer,
stretto,
modern polyphonic art
About the Authors
Raisa N. Slonimskaya
Saint Petersburg State Institute of Culture
Russian Federation
Tzu-Yin Lin
State Pedagogical University Named after A. I. Herzen of Russia
Russian Federation
References
1. Гусева А. В. 24 прелюдии и фуги С. Слонимского: взгляд назад или размышление о будущем / От русского Серебряного века к Новому Ренессансу: Сб. ст. по материалам международного форума к юбилею С. Слонимского (4-7 апреля 2012 г.). СПб: Lennex Corp., Edinburgh, 2014. С. 294-306
For citations:
Slonimskaya R.N.,
Tzu-Yin Lin
Style features Preludes and Fugues in d minor S. Slonimsky. Bulletin of Vaganova Ballet Academy. 2015;(1):176-182.
(In Russ.)
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