The Authorship in New Music of «age of mechanical reproduction»

Abstract

The article is devoted to «photographic conditionality» of contemporary art, for which the appearance of photographs opened a new artistic reality. Participation of new technologies in the creative process of reproduction was not only time, the catalyst of the artistic process, but also changed the principles of thinking. With the development of reproductive technology, a new artistic aesthetics and at the same time a process of «resetting» the historical value and uniqueness of the author. The author makes a conclusion about the identity of the use of the finished material (photographic subject) in the visual arts using objects from the collection of sound recordings in the new music. In connection with these new technical capabilities inevitably arises the problem of authorship in both artistic interpretations of the world is presented as an anthology of models . In this context, analyzes the concepts of P. Schaeffer (concrete music), as well as the P. Ablinger ‘s original author’s method of fonorealism.