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Art without art

Abstract

The article is devoted to the study of the features and directions of the transformation of the artistic paradigm in the 20th – 21st centuries. Considering the metaphysical counterrevolution in art using the example of M. Duchamp’s “innovative projects”, the following were analyzed: the anti-artistic turn from art to anti-art, the transition from the metaphysics of the spirit to the physiology of corporeality, the process of alienation from feelings, the de-actualization of figurative thinking and the denial of the sacred. The prospects for research in this area are the transition from the artistic languages of art in its classical sense to the artificial ‘newspeak” of anti-art and modern art practices.

About the Author

O. I. Tarasova
Vaganova Ballet Academy
Russian Federation

Tarasova O. I. – Dr. Habil. (Philosophy), Ass. Prof.

2, Zodchego Rossi St., St. Petersburg, 191023



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Review

For citations:


Tarasova O.I. Art without art. Bulletin of Vaganova Ballet Academy. 2025;(6):173-184. (In Russ.)

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ISSN 1681-8962 (Print)