The audible word in the ballets of Angelin Preljocaj
Abstract
A priori, dance is the main expressive means in ballet performances. However, the famous French choreographer Angelin Preljocaj does not always adhere to this rule, and sometimes his ballets are dominated by the spoken word. Declamation can be entrusted to dancers or dramatic artists, audio recordings of speeches by famous figures can be used. Preljocaj uses this technique throughout his entire oeuvre in a number of his productions, which are discussed in this article. The search for new expressive means is not only Preljocaj’s concern. The aim of the article was to evaluate the inclusion of sound texts in ballet performances. As a result of the analysis, the author comes to the conclusion that expanding the range of selected expressive means does not guarantee a successful artistic solution. The justification of these conclusions is given.
About the Author
L. I. Abyzova
Vaganova Ballet Academy
Russian Federation
Russian Federation
Cand. Sci. (Arts), Ass. Prof., Prof. of the Chair
2, Zodchego Rossi st., Saint Petersburg, 191023
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Review
For citations:
Abyzova L.I. The audible word in the ballets of Angelin Preljocaj. Bulletin of Vaganova Ballet Academy. 2025;(3):6-23. (In Russ.)
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