Terminology Performing Techniques on Kyrgyz Komuz

Abstract

The article is devoted to the study of special terminology, formed by folk performers on the Kyrgyz komuz and functioning among professional musicians and mentors. The attention of the researchers is drawn to the study of concepts that characterize the methods of performance on a folk musical instrument of the folklore tradition, the technique of sound production, the actualization of terms in pedagogical practice, as well as ways to display the features of articulation in educational and educational publications. The main attention is in the special forms of virtuoso ornamental movements carried out by the right hand of the komuzist. This style of performance is unique in the context of traditional forms of instrumental music-making of ethnic groups related to the Kyrgyz ethnic groups of Central Asia. The characteristics of the methods of playing the Kyrgyz komuz can be traced on the example of samples of the virtuoso performing style presented in publications of different years. As a result of the analysis of the conducted research, the palette of applied techniques of playing the komuz is recreated and the problem of their reflection in musical notation is raised.