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Music section of the Petrograd House of arts

Abstract

The article explores the history of the Music Section of the Petrograd House of Arts (1919–1923), which united the best composers and performers of the city during the period of War Communism and the beginning of the NEP. The paper examines the role of the Section in the structure of the House of Arts and its position among other musical organizations of the period, traces the changes in the program of concerts held by the Section from 1920 to 1922, and analyzes the perception of the Section’s activities in art criticism.

The history of the Music Section is examined from its inception to the last concerts within the framework of the historical genetic method. The Section which was closely connected with the Conservatory is considered as a specific organization which history reflected the general cultural shifts of the analyzed period. The main sources are archival documents (bylaws of the House of Arts, personal files of composers and performers) and reviews. The article reconstructs for the first time the Section’s program and its management with composers V. Shcherbachev and N. Strelnikov in the most crucial roles, and examines the connection between the Section and the journal “Apollo.” The article is accompanied by an Appendix containing the program of the Music Section.

About the Author

M. A. Likhinina
European University
Russian Federation

Likhinina M. A. — Postgraduate Student,

6/1 A, Gagarinskaya St., St. Petersburg, 191187.



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Review

For citations:


Likhinina M.A. Music section of the Petrograd House of arts. Bulletin of Vaganova Ballet Academy. 2024;(5):139-161. (In Russ.)

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ISSN 1681-8962 (Print)