Galina Ulanova’s work in Chinese culture and ballet
Abstract
The article examines the contacts of the outstanding Soviet ballerina Galina Ulanova with China, the history of which spans several decades and includes three of her visits to the country. Covering Ulanova’s first trip to China in 1952, the author emphasizes its importance in the context of cultural exchanges under the friendship agreement between the USSR and China. The second visit in 1959 was timed to coincide with a significant anniversary — the 10th anniversary of the formation of New China. Also notable is her last visit 2 and her contribution to the international art scene. The author analyzes in detail the influence of Chinese art on Ulanova’s work, especially after her meetings with the actor of the Beijing opera, Mei Lanfang. This communication enriched her understanding of the national peculiarities of Chinese culture and influenced her performance in the ballet the Red Poppy. The article explores Ulanova’s multifaceted cultural and personal interaction with Chinese artists and the public, showing how art and high professionalism can serve as a bridge between countries and cultures.
About the Authors
Mingman Sun
Vaganova Ballet Academy
Russian Federation
Russian Federation
Sun Mingman, Postgraduate student,
2, Rossi St., Saint-Petersburg, 191023.
V. A. Shekalov
Vaganova Ballet Academy
Russian Federation
Russian Federation
Shekalov V. A., Dr. Habil. (Arts), Prof. of the Chair,
2, Rossi St., Saint-Petersburg, 191023.
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Review
For citations:
Sun M., Shekalov V.A. Galina Ulanova’s work in Chinese culture and ballet. Bulletin of Vaganova Ballet Academy. 2024;(5):37-52. (In Russ.)
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