Two Rodins by B. Eifman and P. Quanz
Abstract
The article is devoted to the choreographic embodiment of life and work of two great French sculptors Auguste Rodin and Camille Claudel in two modern performances: Rodin, her eternal Idol by the major Russian choreographer Boris Eifman and Rodin/Claudel by the prominent Canadian choreographer Peter Kwantz. The author examines the features of dramatic composition of both performances, semantic center of which is the complicated story of the relationships between two brilliant artists. Also is noted the original staging techniques and he choreographic solution of the central characters
About the Author
N. V. Permyakova
Teacher-tutor at “Capital Production” artistic enterprise (France)
Russian Federation
Russian Federation
Permyakova N. V. — Applicant for a Degree of Candid. of Sci. (Art), teacher-tutor
157/2, Volgogradsky prospect, Moscow, 109378, Russian Federation.
References
1. Thacker S. Winnipeg choreographer uses dancers as sculptures. URL: https:// www.cbc.ca/news/canada/manitoba/winnipeg-choreographer-uses-dancers-as- sculptures-1.2558482 (data obrashcheniya: 20.05.2024).
2. Ejfman B. Ya. Baletnyj mir zhestok, no ne bezumen // Vechernyaya Moskva. 2013. 17 fevralya. URL: https://vm.ru/entertainment/441775-boris-ejfman-baletnyj-mir- zhestok-no-ne-bezumen-razum-utrachivaet-vse-chelovechestvo. (data obrashcheniya: 05.05.2024).
Review
For citations:
Permyakova N.V. Two Rodins by B. Eifman and P. Quanz. Bulletin of Vaganova Ballet Academy. 2024;(4):84-93. (In Russ.)
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