«“Mozart-Tango” by M. Bejart: a dialogue of “two musics” in the artistic world of ballet»
Abstract
The ballet production of Maurice Bejart “Mozart-Tango” is considered in the aspect of the figurative and semantic content of its music: the works of W. A. Mozart and the melodies of the Argentine tango. The creative and personal prerequisites for a choreographer’s work with this musical material are outlined. Artistic projections of music onto the choreographic and scenographic solutions of the production have been identified. The musical and dramatic role of Mozart and tango episodes is determined.
About the Author
A. V. Horn
Vaganova Ballet Academy
Russian Federation
Russian Federation
Horn A. V. — Cand. Sci. (Art), Ass. Prof. of the Chair
2, Zodchego Rossy St., St. Petersburg, 191023
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Review
For citations:
Horn A.V. «“Mozart-Tango” by M. Bejart: a dialogue of “two musics” in the artistic world of ballet». Bulletin of Vaganova Ballet Academy. 2023;(6):90-106. (In Russ.)
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