Mozart-Tango: a musical and poetic dialogue directed by M. Bejar
Abstract
This study represents an analysis of the influence of steppe culture on the formation and development of a unique dance style in the Inner Mongolia region. It demonstrates how the rich tradition and history of steppe culture have significantly impacted the vocabulary and aesthetics of the region’s dance art. A comparison is drawn between traditional cultural elements, such as the nomadic way of life and its connection to nature, and the choreographic representation of these features. The analysis delves into rituals, ceremonies, and historical factors that define the specificity of Mongolian dance as part of the ethnic artistic code. Two types of traditional dance are identified: Eastern and Western regions of Inner Mongolia. The research aims to discover and describe the unique characteristics and roots of Mongolian choreography, as well as its connection to the rich cultural and historical environment of the steppes. This should contribute to the preservation and promotion of ethnic arts within the framework of contemporary cultural experience.
About the Authors
E. E. Drobysheva
Vaganova Ballet Academy
Russian Federation
Russian Federation
Drobysheva E. E. — Dr. Habil. (Philosophy), Prof of the Chair, Ass. Prof
2, Zodchego Rossy St., St. Petersburg, 191023
K. Hongyu
Vaganova Ballet Academy
Russian Federation
Russian Federation
Kan Hongyu — Postgraduate Student
2, Zodchego Rossy St., St. Petersburg, 191023
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Review
For citations:
Drobysheva E.E., Hongyu K. Mozart-Tango: a musical and poetic dialogue directed by M. Bejar. Bulletin of Vaganova Ballet Academy. 2023;(6):77-89. (In Russ.)
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