Eschatological images in the dramaturgy of De temporum fine comoedia by C. Orff: Implementation features
Abstract
The article is devoted to the analysis of one of the most significant music theatre composition De temporum fine comoedia by C. Orff. Within the framework of the ritual form, a complex philosophical concept is embodied, based on the fusion of Jewish, Christian, apocryphal prophecies about the end of time. The article traces the relationship of music and lyrics, their role in the embodiment of eschatological images of the last day, Divine will, the Last Judgment, the new heaven and the new earth.
About the Author
N. A. Karpun
St. Petersburg State Rimsky-Korsakov Conservatory
Russian Federation
Russian Federation
Karpun N. A. — PhD Student
Glinki St., 2, St. Petersburg, 190000
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Review
For citations:
Karpun N.A. Eschatological images in the dramaturgy of De temporum fine comoedia by C. Orff: Implementation features. Bulletin of Vaganova Ballet Academy. 2023;(4):101-117. (In Russ.)
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