Musical dramaturgy of ballet performances in Turkmenistan in the second half of the 20th century
Abstract
The article is devoted to the history of the Turkmen ballet theater during its heyday. The characteristics of the main ballet performances created in the community of Turkmen composers and choreographers and marked a new stage in the development of national choreographic art are given. The difficulties in the further evolution of the genre, which eventually led to its actual elimination in the post-Soviet-era, are underlined.
About the Author
V. A. Gurevich
The Herzen State Pedagogical University of Russia
Russian Federation
Russian Federation
Gurevich V. A. — Dr. Habil. (Arts), Prof.
48. Moika Emb. St. Petersburg, 191186
References
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3. Gurevich V. Turkmenskaya sovetskaya muzy`ka: diss. … d-ra iskusstvovedeniya. M.: NII iskusstvoznaniya, 1990. 416 s.
4. Gurevich V. Nam ne dano predugadat`… (kompozitorskie shkoly` postsovetskogo prostranstva) // Mul`tikul`turalizm ili interkul`turalizm? Opy`t Avstrii, Rossii, Evropy`». N.-Novgorod: Dekom, 2013. S. 111–120.
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Review
For citations:
Gurevich V.A. Musical dramaturgy of ballet performances in Turkmenistan in the second half of the 20th century. Bulletin of Vaganova Ballet Academy. 2022;(1):39-45. (In Russ.)
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