Russian guitar music: timbre-coloristic aspect
Abstract
The article deals with the transformation of the timbre of classical guitar in the music of Russian composers. Based on the analysis of works for solo guitar and as part of an ensemble of composers of our country, examples of experiments with guitar timbre are identified. The transformation of the guitar sound used in the music of postwar avant-garde. The works of A. Volkonsky, E. Denisov, and I. Stravinsky are considered. It is established that the techniques of instrumental playing on the classical guitar are expanded due to non-traditional sound production. The use of non-musical sounds is the brightest of modern means of expression and becomes the next stage in the development of the guitar lexicon.
About the Author
Yu. A. Finkelshtein
The Kosygin State University of Russia;
Maimonides State Classical Academy
Russian Federation
Russian Federation
Cand. Sci. (Arts), 33 Sadovnicheskaya St., build. 1, Moscow, 115035,;
Ass. Prof., 52/45Sadovnicheskaya St., Moscow, 115035
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Review
For citations:
Finkelshtein Yu.A. Russian guitar music: timbre-coloristic aspect. Bulletin of Vaganova Ballet Academy. 2020;(3):242-250. (In Russ.)
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