Opera’s pentalogy Sverlyans in the context of the development of the general of “sound drama” in the new music
Abstract
The article is devoted to the analysis of the unique from the point of view of refraction of the opera genre of the project of the opera-seria Sverlyans created by six contemporary composers. The five-part work is considered in the context of the development of the genre of «sound drama» detached by Prometheus by Luigi Nono and very relevant for the New Media era. The conclusion from the study is that each of the composers involved in this project opens up new paths for a renewed perception of the listener.
Keywords
Sverlyans,
opera seria,
sound drama,
new music,
B.Yukhananov,
D.Kurlandsky,
B.Filanovsky,
V.Rannev,
A. Sysoev,
S.Nevsky
About the Author
A. S. Zinina
Vaganova Ballet Academy
Russian Federation
2, Zodchego Rossi St., Saint Petersburg, 191023
Russian Federation
2, Zodchego Rossi St., Saint Petersburg, 191023
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Review
For citations:
Zinina A.S. Opera’s pentalogy Sverlyans in the context of the development of the general of “sound drama” in the new music. Bulletin of Vaganova Ballet Academy. 2019;(5):117-133. (In Russ.)
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