RUSSIAN STAGE ROMANCE: MELODRAMA AND VODEVIL
Abstract
The Russian Theater of the 1830s — 1840s is considered in this article as the Romantic Actor Theater. At the same time, Romanticism highlights, even protrudes special aspects and properties in the actor’s theater. This is, first of all, the sacred right of the author, in this case the actor, to free artistic creativity and abrupt, neither by the requirements of life-worthiness, nor by the conventional boundaries between the stage and the auditorium, nor by the genre of the play-scenario, is it a limited subjectivity, and sometimes frank the lyricism of the stage creations, and, finally, the secret or overt, but ineradicable “separation” of the creative romantic genius from the momentary fruits of his work.
About the Author
Svetlana I. Tsimbalova
Russian State Institute of Performing Arts, 34, Mokhovaya St., Saint Petersburg,
191028
Russian Federation
Cand. Sci (Arts), Ass. Prof
Russian Federation
Cand. Sci (Arts), Ass. Prof
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Review
For citations:
Tsimbalova S.I. RUSSIAN STAGE ROMANCE: MELODRAMA AND VODEVIL. Bulletin of Vaganova Ballet Academy. 2019;(1):245-255. (In Russ.)
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