E. DEGAS AS A POPULARIZER OF THE PARIS OPERA BALLET
Abstract
The article is devoted to the interpretation of the dance theme in the work of the famous French artist E. Degas (1834–1917) against the backdrop of the development of the Paris Opera’s ballet theater, which introduces new forms of dialogue and communication into the sphere of interaction of related arts. It is shown that the artist’s works, in spite of the general theme, solve various creative tasks that lie in the sphere of the Impressionist image method. In addition, they form an artistic consciousness that requires creativity, which develops search thinking in the image of the behind-the-scenes life of dancers. Based on the study of a number of works in museum collections, the author formulates the main dynamic characteristics of the created artistic images of the ballet and their unique identity.
About the Author
Т. V. Portnova
Institute of Slavic Culture, Moscow State University of Design and Technology Moscow
Russian Federation
Russian Federation
Tatiana V. Portnova — Dr. Sci. (Arts)
33/1 Sadovnicheskaya ul. (St.), Moscow, 117997
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Review
For citations:
Portnova Т.V. E. DEGAS AS A POPULARIZER OF THE PARIS OPERA BALLET. Bulletin of Vaganova Ballet Academy. 2018;(6):94-113. (In Russ.)
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