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Bulletin of Vaganova Ballet Academy

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Creativity of P. Tchaikovsky in the music aesthetic discourse of the post avant-garde

Abstract

For musical post-avangard culture aesthetic question of priorities was particularly acute. In the context of anti-romantic aspirations of new music creativity PI Tchaikovsky left on the sidelines. Musical post-avangard culture appeals to the heritage of the composer. The article analyzes the concept works H. V. Hentse cited or reinterpret his own work by Tchaikovsky. Paraphrase of «Sleeping Beauty» by Tchaikovsky, the ballet «Sleeping Princess» (Die schlaffende Prinzessin) is a kind of «recomposition» - the author’s orchestration of the authentic text. B. A. Zimmerman in the composition «Photoptosis» (1968) cites «Dance Sugar Plum Fairy» from «The Nutcracker».

About the Author

Svetlana V. Lavrova
Vaganova ballet Academy
Russian Federation


References

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2. Адорно Т. Избранное: Социология музыки. М.; СПб: Университетская книга, 1998. 445 с.

3. Henze H. W. Die Bundesrepublik Deutschland und die Musik (1967/68) // Musik und Politik. Schriften und Gespräche 1955-1975, München 1976.

4. Павлов Г. Х. В. Хенце // Музыкальная жизнь. 1987. № 5. С.24-26


Review

For citations:


Lavrova S.V. Creativity of P. Tchaikovsky in the music aesthetic discourse of the post avant-garde. Bulletin of Vaganova Ballet Academy. 2015;(3):129-131. (In Russ.)

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ISSN 1681-8962 (Print)