TANGO IN THE WORLD CINEMATOGRAPHY
Abstract
The article deals with the relationship between tango and cinematography in historical, figurative and dramaturgical ways. The author attempts to suggest a typology of using tango in the cinema, to identify the main media images of tango, and also she comes to conclusion that in the auteur cinema — tango is more often associated with drama or tragedy, and in mass cinematography — with melodrama.
About the Author
T. S. Sergeeva
Kazan (Volga region) Federal University, Institute of Social and Philosophical Sciences and Mass Communications, Division of Mass Communications
Russian Federation
Russian Federation
Dr. Sci. (Arts), associate professor
1/37 Professor Nuzhin St., Kazan, 420008, Russian Federation
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Review
For citations:
Sergeeva T.S. TANGO IN THE WORLD CINEMATOGRAPHY. Bulletin of Vaganova Ballet Academy. 2018;(5):115-124. (In Russ.)
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