ANALYSIS OF THE LYRICAL SCENES IN AKSHIN ALIZADEH’S BALLET BABEK
Abstract
The article is devoted to the study of the musical style of the composer Akshin Alizade on the example of the ballet Babek. The specificity of expressive means of the ballet lyrics is revealed. The organic unity of the music of the ballet with A. Alizadeh’s style system is proved and the result of the analysis of the lyric scenes of the ballet Babek is proposed.
About the Author
L. D. Huseynli
Baku Academy of Choreography
Russian Federation
Russian Federation
Postgraduate student
75, Rashid Behbudov St., Baku city, AZ1014
References
1. Medushevskij V. K probleme semanticheskogo sintaksisa // Sovetskaya muzyka. 1973. № 8. S. 20-29.
2. Tagizade A. Akshin Alizade. Baku: Ishyg, 1986. 136 s.
3. Abezgauz I. Opera «Kerogly» Uzeira Gadzhibekova. M.: Sov. kompozitor, 1987. 232 s.
4. Tsukkerman V. Vyrazitel’nye sredstva liriki CHajkovskogo. M.: Muzyka, 1971. 244 s.
5. Shnitke A. Navstrechu slushatelyu //Sovetskaya muzyka, 1962. № 1. S. 16-20.
Review
For citations:
Huseynli L.D. ANALYSIS OF THE LYRICAL SCENES IN AKSHIN ALIZADEH’S BALLET BABEK. Bulletin of Vaganova Ballet Academy. 2018;(5):103-114. (In Russ.)
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