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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vaganov</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Академии Русского балета им. А.Я. Вагановой</journal-title><trans-title-group xml:lang="en"><trans-title>Bulletin of Vaganova Ballet Academy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1681-8962</issn><publisher><publisher-name>Vaganova Ballet Academy</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vaganov-926</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>МЕЖДИСЦИПЛИНАРНЫЕ ИССЛЕДОВАНИЯ В ОБЛАСТИ ХОРЕОГРАФИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>CROSS-DISCIPLINARY RESEARCH IN CHOREOGRAPHY</subject></subj-group></article-categories><title-group><article-title>АНАЛИЗ МУЗЫКИ ЛИРИЧЕСКИХ СЦЕН БАЛЕТА «БАБЕК» АКШИНА АЛИЗАДЕ</article-title><trans-title-group xml:lang="en"><trans-title>ANALYSIS OF THE LYRICAL SCENES IN AKSHIN ALIZADEH’S BALLET BABEK</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Гусейнли</surname><given-names>Л. Д.</given-names></name><name name-style="western" xml:lang="en"><surname>Huseynli</surname><given-names>L. D.</given-names></name></name-alternatives><bio xml:lang="ru"><p>аспирант</p><p>ул. Р. Бейбутова 75, г. Баку, Азербайджан AZ1014</p></bio><bio xml:lang="en"><p>Postgraduate student</p><p>75, Rashid Behbudov St., Baku city, AZ1014</p></bio><email xlink:type="simple">l.d.hadjieva@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Бакинская академия хореографии</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Baku Academy of Choreography</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>18</day><month>12</month><year>2018</year></pub-date><volume>0</volume><issue>5</issue><fpage>103</fpage><lpage>114</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Гусейнли Л.Д., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Гусейнли Л.Д.</copyright-holder><copyright-holder xml:lang="en">Huseynli L.D.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vaganov.elpub.ru/jour/article/view/926">https://vaganov.elpub.ru/jour/article/view/926</self-uri><abstract><p>Статья посвящена исследованию музыкального стиля композитора Акшина Ализаде на примере балета «Бабек». Выявляется специфика выразительных средств лирики балета, доказывается органическое единство музыки балета со стилевой системой А. Ализаде, предлагается результат анализа лирических сцен балета «Бабек».</p></abstract><trans-abstract xml:lang="en"><p>The article is devoted to the study of the musical style of the composer Akshin Alizade on the example of the ballet Babek. The specificity of expressive means of the ballet lyrics is revealed. The organic unity of the music of the ballet with A. Alizadeh’s style system is proved and the result of the analysis of the lyric scenes of the ballet Babek is proposed.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>балет</kwd><kwd>музыка</kwd><kwd>стиль</kwd><kwd>композитор</kwd></kwd-group><kwd-group xml:lang="en"><kwd>ballet</kwd><kwd>music</kwd><kwd>style</kwd><kwd>composer</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Медушевский В. К проблеме семантического синтаксиса // Советская музыка. 1973. № 8. С. 20-29.</mixed-citation><mixed-citation xml:lang="en">Medushevskij V. K probleme semanticheskogo sintaksisa // Sovetskaya muzyka. 1973. № 8. S. 20-29.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Тагизаде А. Акшин Ализаде. Баку: Ишыг, 1986. 136 с.</mixed-citation><mixed-citation xml:lang="en">Tagizade A. Akshin Alizade. 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