THE REAL ALEATORY IN AN INTERACTIVE SOUND INSTALLATION
Abstract
In the article there is an exploration of interactive sound installation as a fine art phenomenon. It is stated that this kind of art has special possibilities in communication with an observer-listener in the area of variability and probability. We suggest to call it “the real aleatory”. Aspects of composition of interactive sound installation and its differences from music composition are observed. We talk about examples of sound installations that were made in collaboration with the author of this article. The compositional structure of their sound and technical details of its realization are shown in their connection with the whole work.
About the Author
N. Yu. Khrust
Moscow State Conservatory
Russian Federation
Russian Federation
13/6, Bolshaya Nikitskaya St., Moscow, 25009, Russian Federation
References
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Review
For citations:
Khrust N.Yu. THE REAL ALEATORY IN AN INTERACTIVE SOUND INSTALLATION. Bulletin of Vaganova Ballet Academy. 2018;(4):142-164. (In Russ.)
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