War and Science images in the intarsias of Federico da Montefelo’s studiolo in Urbino
Abstract
Federico da Montefelo’s Studiolo in Urbino is one of the most interesting decorative ensembles in Quattrocento art. It incarnate the image of the Ruler of his epoch both idealistic and including features of the Duke of Urbino himself. Intarsias on the walls of Studiolo are highly important part of this ensemble. The character of intarsia art is based upon mathematical precision of composition and the technique demonstrates the highest creators’ skill. Program of decoration allows determining the ratio of components of the Duke’s image which includes military prowess and scientific study.
About the Author
Olga G. Makho
The State University of Film and Television St. Petersburg
Russian Federation
Russian Federation
References
1. Cheles I. The Studiolo of Urbino: An Iconographic Investigation. Wiesbaden, 1986.
2. Махо О. Г. Студиоло итальянских правителей эпохи Возрождения. Эволюция концепции // Пространство культуры.- 2010.- № 4. - С.8-17.
3. Махо О. Г. Итальянская интарсия эпохи Возрождения, пространство изображения и пространство интерьера // Проблемы развития зарубежного и русского искусства. СПб, ЛИЖСиА им.И.Е.Репина, 1995. С.18-20
4. Makho O. La pièce la plus intime des appartements des souverains italiens de la Renaissance (Le studiolo dans la structure architecturale de la résidance) // Art and Literature Scientific and Analytical Journal TEXTS. 2013. № 4. P.77-90.
5. Liebenwein W. Studiolo. Storia e tipologia di uno spazio culturale. Modena, 1988.
6. Баткин Л. М. Итальянские гуманисты: стиль жизни, стиль мышления. М, 1978.
7. Lo studiolo di Federico da Montefeltro. Vol.I. O. Raggio.Il Palazzo Ducale di Gubbio e il restauro del suo studiolo. Vol.II. A. M. Wilmering. Le tarsie rinascimentali e il restauro dello studiolo di Gubbio. Milano, 2007.
8. Ferretti M. I maestri della prospettiva / Storia dell’arte italiana. P.III. Vol.IV. Torino, 1982. P.457-587.
9. Bagatin P. L. Le tarsie dello studiolo d’Urbino. Trieste, 1993.
10. Chastel A. Marquetrie et perspective au XV siècle / Chastel A. Fables, Formes, Figures. Paris, 1978. P.317-332.
Review
For citations:
Makho O.G. War and Science images in the intarsias of Federico da Montefelo’s studiolo in Urbino. Bulletin of Vaganova Ballet Academy. 2015;(2):154-161. (In Russ.)
Views:
401
Email this article 