«An Elusive Aesthetic» in the Anti-art community

Abstract

The postmodern art in that measure there it purposefully destroys classical model of art communication (the author - the work - the viewer) and forms a new way of creative activity which is accepted to call «anti-art». This art becomes a source of a peculiar sensual experience - «imperceptible or elusive aesthetics». The aesthetic effect arises inadvertently and isn’t connected with activity of the author or with the artifacts which have no steady value. The general orientation of creativity is felt in any situations of perception, though it can’t be formulated unambiguously, it also makes «imperceptible or elusive aesthetics» of anti-art.