THE SPIRITUAL EXERCISES OF LEONARDO DA VINCI Marina Mitaleva (translator)
Abstract
The aim of this article is to show that Leonardo’s remarks about the discipline of art are an important aspect of his thought and an important feature of its modernity, to suggest that his overall approach to art needs to be seen, not only in terms of an emerging scientifi c mentality, but also against a background of new economic and social pressures equally characteristic of the modern world. The translation is made from: Williams R. The Spiritual Exercises of Leonardo da Vinci // A Companion to Art Theory. Blackwell Publishing, 2002. pp. 75-87. Article is published with the kind permission of the author.
Keywords
Леонардо да Винчи,
интеллектуальная дисциплина,
история искусства,
обучение живописи,
Высокое Возрождение,
Ренессанс,
Леон Баттиста Альберти,
Джорджо Вазари,
Ченнино Ченнини,
Джованни Батиста Арменини,
Leonardo da Vinci,
intellectual discipline,
art history,
art education,
High Renaissance,
Renaissance,
Leon Battista Alberti,
Giorgio Vasari,
Cennino Cennini,
Giovanni Battista Armenini
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Review
For citations:
Williams R. THE SPIRITUAL EXERCISES OF LEONARDO DA VINCI Marina Mitaleva (translator). Bulletin of Vaganova Ballet Academy. 2016;(6):185-192. (In Russ.)
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