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Innovation and repetition in musical and philosophical discourse: Umberto Eco, Gilles Deleuze and creativity of Bernhard Lang

Abstract

The article touches upon one of the central themes of the musical and philosophical discourse that has spread from philosophy to the theory of New music and composer further practice. In the works of Umberto Eco, it sounds like «innovation and repetition», as interpreted by Gilles Deleuze «difference and repetition». Contrasting the concepts absolute originality (innovation) and repetition, the author analyzes the characteristics of the «series» of art, as well as various types of repetition. The author refers to the concept of «difference and repetition» in the works of the Austrian composer B. Lang and position of Eko-Deleuze, analyzes two his cycles, devoted to philosophical topics «Monadology» and «Difference and Repetition». The main scientific conclusions of the article becomes a conceptual proximity of philosophy and new music, as well as the representation of the latter as a kind of post-philosophy type activities.

About the Author

Svetlana V. Lavrova
Академия Русского балета имени А.Я. Вагановой
Russian Federation


References

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Review

For citations:


Lavrova S.V. Innovation and repetition in musical and philosophical discourse: Umberto Eco, Gilles Deleuze and creativity of Bernhard Lang. Bulletin of Vaganova Ballet Academy. 2016;(1):131-142. (In Russ.)

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ISSN 1681-8962 (Print)