«Dialogue of Cultures» in the musical-choreographic folklore: history and modernity, socio-cultural and educational aspects

Abstract

In paper functions of a national choreography are considered; first, on an example of communications of country and city cultures process of interaction of cultures is covered in development of is musical-choreographic forms of multifigured round dances and dances; secondly, in choreographic folklore of Russian and Ugro-Finnish ethnoses; thirdly, in dynamics of an existing of national dance from the past to a modern situation. Creative adaptation of the French quadrille in Russian countries shows, how «another’s» becomes «their own’s» as it answers inquiries of youth, that varies in the course of adaptation. The existing of choreographic folklore in city culture XX-XXI. Ethnokulturological aspects of a problem is traced centuries are supplemented with illumination social cultural and pedagogical aspects.