Seventh symphony of Shostakovich in creativity of choreographer B.G. Ayukhanov
Abstract
The article is devoted to the B.G. Ayukhanov’s one-act ballet The Leningraders, my children! The Leningraders, my pride!, put on the music of the first part of the Seventh (Leningrad) symphony by Dmitry Shostakovich in 2009. In this article, for the first time, we did a detailed comparative analysis of the structural features of the music and their choreographic incarnation in a one-act ballet by Ayukhanov. We examined musical (Shostakovich) and literary (Dzhambul) images, which served as the basis for the choreography of the ballet’s characters. The authors come to the conclusion that when interpreting images of a musical canvas, the choreographer strives to create a dance text corresponding to music in structure (choreographic score).
Keywords
Шостакович,
музыка,
Седьмая симфония,
Аюханов,
хореография,
искусство,
Shostakovich,
music,
Seventh Symphony,
Ayukhanov,
choreography
About the Authors
Ilzat R. Aukhadiyev
The Kazakh National Academy of Arts
Kazakhstan
Kazakhstan
Lyudmila A. Zhuykova
The Kazakh National Academy of Arts
Kazakhstan
Kazakhstan
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Review
For citations:
Aukhadiyev I.R., Zhuykova L.A. Seventh symphony of Shostakovich in creativity of choreographer B.G. Ayukhanov. Bulletin of Vaganova Ballet Academy. 2017;(3):74-83. (In Russ.)
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