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Fausto Romitelli’s Professor Bad Trip trilogy in choreographic incarnation of Maud le Pladec

Abstract

The article analyzes the Professor Bad Trip trilogy of Fausto Romitelli, a composer of Italian origin, staged by French choreographer Maud le Pladec. The author comes to conclusion that borderline specificity of Romitelli’s creativity takes his works beyond the boundaries of academic avant-garde music. It also trends to psychedelic literature, rock music, Francis Bacon’s fine arts, as well as to modern technologies that transform artistic reality by means of modern communication. There is a visual projection supplemented by formalization and structuring of listener’s perception that create an artistic foundation of Maud le Pladec’s performances. It is this interaction that allows the choreographer to reach a new receptive level.

About the Author

Svetlana V. Lavrova
Vaganova Ballet Academy
Russian Federation


References

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Review

For citations:


Lavrova S.V. Fausto Romitelli’s Professor Bad Trip trilogy in choreographic incarnation of Maud le Pladec. Bulletin of Vaganova Ballet Academy. 2017;(2):165-172. (In Russ.)

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ISSN 1681-8962 (Print)