P. Tchaikovsky’s and M. Petipa’s The Sleeping Beauty in K. Sergeyev’s and Yu. Grigorovitch’s versions
Abstract
The article is focused on preservation of the classical ballet heritage. An example of this theme is The Sleeping beauty ballet by M. Petipa and P. Tchaikovsky in K. Sergeyev’s, Y. Grigorovich’s, and R. Nureyev’s versions. The author compares the most significant scenes of the ballet versions and also identifies the most valuable ones. The comparative analysis of the ballet versions is based on The Sleeping Beauty ’s studies conducted in the aspects of choreographic dramaturgy and text.
About the Author
Grafira N. Emelyanova
Saint Petersburg University of the Humanities and Social Sciences
Russian Federation
Russian Federation
References
1. Луцкая Е. Andante cantabile // Театр. 1990. № 6. С. 82-84.
2. Скляревская И. «Спящая красавица». Версия Нуреева // Петербургский театральный журнал. 1993. № 1. С. 42-44.
3. Кузнецова Т. Когда спящие пробуждаются // Коммерсант. 2000. № 2. С. 13.
Review
For citations:
Emelyanova G.N. P. Tchaikovsky’s and M. Petipa’s The Sleeping Beauty in K. Sergeyev’s and Yu. Grigorovitch’s versions. Bulletin of Vaganova Ballet Academy. 2017;(2):61-68. (In Russ.)
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