The anti-art architectonics

Abstract

The question about emergence and distribution of the term «anti-art» in art practices of vanguard at the 1960th is investigated in this article. The anti-art represents the synthetic phenomenon which has some internal tectonic components, without which the art work can’t be deprived of artistry and by that it can’t be turned into an anti-art artifact. At the same time it is possible to reveal a number of the phenomena in the same context of antiaesthetics. These phenomena are in the difficult relations with the anti-art. Among them there are a performance and a performative communication, a multiple and a work of art as a thing, an event and a work of art as an event. The possibilities of fixing of the specified phenomena in the form of the score and the art practice of fluxus developing in this direction are considered.