Correspondence to the phenomenon of dance in basic concepts of Chinese classical philosophical thought
Abstract
The article highlights the need to draw attention to the internal, philosophical, and spiritual aspects of the dance phenomenon. To this end, the three main Chinese philosophical teachings (Confucianism, Taoism, and Buddhism) have been examined for their meanings that correspond to the nature of dance as such and Chinese traditional dance, including the identity of the nature of dance and the nature of thought, sincerity as "opening up to the outside," being "in the middle" as the realization of openness and sincerity, the intensity and fullness of a sincerely open worldview, and the expression of joy in feeling full. By presenting these positions as the basis for understanding Chinese traditional dance, we emphasize their significance as the foundation for understanding dance in general.
About the Author
Xue Liu
Institute of Music, Theater and Choreography of A. I. Herzen Russian State Pedagogical University; Henan Professional Institute of Arts
China
China
Liu Xue ‒ Postgraduate Student, Tutor of the Choreography Chair
2 B, Kakhovsky St.‚ St. Petersburg, 199155
277, Zheng Kai Road, Zhengzhou, 451464, China
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Review
For citations:
Liu X. Correspondence to the phenomenon of dance in basic concepts of Chinese classical philosophical thought. Bulletin of Vaganova Ballet Academy. 2025;(6):98-111. (In Russ.)
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